A Quote by Jillian Bell

I think the hardest part of writing anything is getting exposition out easily, without hitting people over the head with it. — © Jillian Bell
I think the hardest part of writing anything is getting exposition out easily, without hitting people over the head with it.
For me, the hardest part is getting up and writing, that's the hard part. I always felt like I could teach someone to direct if I really had to. I feel like it's a skill that's passable, but writing... writing is the worst. That's what I'm doing right now, it's just the hardest thing that you'll ever do.
Writing a screenplay is like writing a big puzzle, and so the hardest part, I think, is getting the story.
You can be Michael Moore and make 'Fahrenheit 9/11,' but that's hitting people over the head, and a lot of Americans don't like to be hit over the head. I want to make films that make people walk out and say, 'Wow, I really question if this is all right.'
I love writing journalism because it's all over in two hours and comes straight off the top of the head. Writing novels is soooooo much harder. It's the hardest thing I've ever done.
There is no question that in the '50s and '60s, black players got thrown at more. That's not a negative comment. It may come out that way, but that's the way it was. Hitting another player was part of the game; hitting a player in the head is not.
When the ball is over the middle of the plate, the batter is hitting it with the sweet part of the bat. When it's inside, he's hitting it with the part of the bat from the handle to the trademark. When it's outside, he's hitting it with the end of the bat. You've got to keep the ball away from the sweet part of the bat. To do that, the pitcher has to move the hitter off the plate.
When you hit a player in the head, you're more apt to get some fisticuffs or, you know, bring both teams out on the field, but it was more accepted that - in the '50s, '60s and '70s. I think nowadays it's a little over-policed because I will always believe that knocking a hitter down, even hitting a hitter at, sometimes, is part of baseball.
I definitely pay attention to details. I think one of the hardest things about making a movie is that it can be scrutinized over and over again. If anything just isn't right, it's going to take you out of the film.
I am a woman, so I never want to hide that or be like, 'I'm one of the boys,' because I'm not. I am aware of our audience. We always aim for the right combo of not hitting people over head but still getting our message across.
If you really think about it, hitting the snooze button in the morning doesn't even make sense. It's like saying, 'I hate getting up in the morning-so I do it over... and over... and over again.'
You don't lead by hitting people over the head - that's assault, not leadership.
The hardest part of comedy is writing the jokes, and the second-hardest part is telling the jokes. To me, everything else is significantly easier.
We thought the hard part was over—but we were wrong. Living is the hardest part. Figuring out how to live your life when you’re all busted up inside and out—there is nothing harder.
Writing I think, out of what all of us do, writing is the hardest. You're the only who start with nothing except what's up here. You do that. It's really hard I think, acting is not.
She just kept hitting me in the head with her fists, over, and over and over.
Getting the message out there to speak out is huge, and I think you can be the brightest person in the room, but people never know what's going on really inside and the hardest thing is to speak out. You've got to speak out. I think sometimes you maybe hold it all in and it can get too much at times.
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