A Quote by Jillian Hervey
I think also, obviously, having someone like Lucas [Goodman], and the people around me are very, not gender-driven or any of that, so when we come in as thing, that's what it is. You can work with us or not work with us and I think that has been helpful. I don't try to put myself in a vulnerable position in that way. I won't just sit quietly.
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There's been so many, I think [Lucas Goodman and I] share this, but for us, Afropunk was a really big moment just because it was in New York.
I've always been someone who has been very driven. I think my circumstances, how I grew up, hard work and work ethic are absolutely vital to any success that people might have, regardless of what they might be doing.
Different things work for different people. One thing I've realized, though, is that the work that I've done on myself outside of my work as an actress has really allowed me to open up my mind. I think I understand my emotional state and my complexities now in a much clearer way, and I can put them to rest in a way that there's almost a catharsis that happens through the work, where I can do it and then find myself again.
My husband is the mayor. He has a lot of advisors. He has many advisors. Trust me. I'm not always the last one to state my opinion to him. And he does not always take my opinion. I think it's totally fair for any - in any couple, we just assume that people are speaking to their spouse. This is no different. In this day and age, I think we're going to see more couples like us. You know, couples who work together. I'm a volunteer, but I take this work very seriously and I want to help my husband in any way I can.
I know when the anthrax thing hit - white people, y'all was very nervous. Y'all would come up to me at work and warn me, like 'Oh my God, Aries, be careful. Don't open your mail.' Let me tell you something - black folks was never worried about anthrax because, half the time, we don't open our mail no way. We might think that's a bill. We might hold it to the light and go, 'That's a red slip.' If you want to get us with anthrax, put that in a Jay-Z CD. That's how you get us.
We work with Birchbox, and I think that it's kind of exciting. You're getting a gift every month, and it also entices people to be more experimental and to try more things. For busy people like myself, it's really helpful.
It's a very organic kind of way that people are discovering it, by word of mouth, which I always think is the best way for things to grow. In terms of the affect it's been having on me, I don't even notice that. It's lovely to be able to talk about a piece of work that you're very proud of, that I think's a complex piece of work and not superficial and has depth to it.
I don't think talent has anything to do with inspiration. Inspiration creates talent. People prioritize innate talent too much. It gives them license to walk around and act like assholes. I think I straddle a line between being innately talented and having had to put in some work. You ever go to a party where there are a lot of creative people and they feel like they have license to just act any kind of way? I'm not really a moral person myself, but they just tend to never ever be sincere because they believe their art or the fact that they are artists makes them holy in some way.
I don't try to do anything. I think the moment that I'm like, "Oh, I have to be this way or that way" is the moment that I become sad, or maybe an asshole. So I just try to be myself and put out what is most natural. But I think I am - I mean, I've seen a lot, been through a lot. But something remains sort of naïve within me. And I just try to nurture that.
Sometimes things aren't a dream because you don't really think it's a possibility. So my goal on a daily basis is just to go to work and be someone that people like to be around. I just want to work hard and be nice to people, and I feel like when you touch people in that way, on a more personal level, then they go to work the next day pushing for you. And that's when an opportunity comes that you wouldn't have even expected otherwise.
Here's the thing about Texas - and the thing about the border. We all know undocumented immigrants. They sit in our churches, are friends with our children, and work all around us. They are just like us.
I try to put myself in the position of the fan and the fan in my position. So to be somebody in the stands and be just like everyone else as opposed to having a press pass around my neck is pretty fun.
Any insistence on equal pay is crucial and any redefinition of work to include caregiving work so that it also has an economic value, at least at replacement level, that's crucial. So change does come from the bottom up, and it will come from girls and women and men who understand that for us all to be human beings instead of being grouped by gender is good for them, too.
But one thing that's constant is we've always appreciated fans. They put us on the map and they keep us on the map. I always put myself in their position. If I loved someone and had their posters all over my wall and met them and they were rude it would be very hurtful.
I think that if you're just a good person, you work hard, you say "yes," and you are driven, you will eventually work your way to the top. At least that's how it's been for me.
I think that, for a lot of us, the closer we get to showing people who we really are, that's where we feel the most uncomfortable, the most vulnerable. But it's also where the healthiest growth comes from. Like when I can really open myself up to someone and show someone who I really am, it's amazing when it happens.
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