A Quote by Jillian Hervey
We're always working on new music and now that we have our own studio space we have tried to stay focus and really explore. But we have projects out that we are super proud of and want to keep building on that.
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When I started making music, I made music in a very commercial space and I didn't have room to really explore things on my own terms. It took me awhile to create a little bubble where I could explore other things, and new things. When I did that, my tools were songwriting and arranging.
I work on my own music every day. I'm pretty much always working on it so it's like, after I get out the studio, I just want silence.
I'm not very interested in fame or notoriety at all - in fact, I'd be pretty bummed out if I woke up one day and I was, like, super, super famous. But the flipside of that is that I'm really passionate about my music, I'm really proud of it and I want it to be heard by as many people as possible, and I'm willing to embrace whatever comes with that.
Sometimes you get involved in a film because you just love making movies and you want to keep working. Sometimes you're lucky enough to find something that you really care about. Therefore, now I'm emphasizing developing my own projects and writing my own screenplays, so that I can do exactly what I like to do.
It is always weird to be in the studio working on Christmas music in June and July, so we decorated the entire studio, we really did. We brought out lights, fake trees and decorated the place to get in the Christmas spirit. You'd leave the studio, and it'd be 100 degrees out in Nashville, but nonetheless, a great experience.
We want to be safe for the future because we don't know how record companies can afford to pay for studios for bands. If we build our own studio, it means we can make our own music for the rest of our lives, whatever happens. We feel safe now, it's really cool.
I've always found music inspired me in the studio to try to do new things. If someone comes out with a new album, it's like, 'Gosh, they've been working hard - so should I.'
The Momofuku Culinary Lab started as a space where we could focus on creating and innovating. I didn't want us to worry about working on projects in a restaurant; there are just too many distractions in service and running a kitchen to be able to focus on creating your dishes.
I don't really think of these as projects. I think of them as bands. I have tried to not just convene a group of musicians and make one record or make one gig and just drop it. Each of them develop over time. I have been really fortunate to keep a band like the Sextet together over three very different albums. Each time, the goal got more deep for me in terms of how I wanted to write for those people. So it is really about trying to develop ideas and trying to have a consistent focus on a way to come up with new ideas in music that I want to do.
What I really want is consistency - to keep working, for God to keep blessing me with all the amazing people in my life, to keep making good music, and to keep representing females out there.
One of the neat things about Gearbox that I love is, we don't look at our designs as a totalitarian regime and we're all really happy to let designers and creators within the studio explore in our space.
I just love making music. I always stay in the studio. Making music is my main focus.
To me, art and music inform each other continually, and when I was making more music there was an overall aesthetic that was shared by both mediums. Now I always listen to music when I work, so when I am working a lot, that is when I start searching out new music and finding new things to get excited about.
In 1972, I recorded Gumbo, an album that was both a tribute to and my interpretation of the music I had grown up with in New Orleans in the 1940s and 1950s. I tried to keep a lot of the little changes that were characteristic of New Orleans, while working my own funknology on piano and guitar.
I live in a little studio apartment, so I try to keep the space super clean at all times.
I began doing writing projects and art and design projects to explore a new way of seeing Canada. Roots is one more way of continuing this exploration. I want to present a wide-open Canadian sense of color, adventure, communication and openness that defines our country.
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