A Quote by Jillian Hervey
To be on stage, to be sharing a stage with Lauryn Hill, Grace Jones, SZA, Kelis, and all these incredible women, I'm like 'When did this happen?'
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I definitely listened to Lauryn Hill - her's was like the first album I bought myself. Brandy's Never Say Never and Lauryn Hill's The Miseducation of Lauryn Hill were always in rotation for a couple of years.
I can make music out of anything. Even that phone ringing, I could sample that. I grew up listening to Missy, Britney, Kelis, Lil Kim, Grace Jones, all the eccentric, out-there women. And men like Freddie Mercury, David Bowie. Those are my peopledem.
My dream collaboration is with Lauryn Hill. Is that ever gonna' happen? Who knows! But there's still a lot I feel like musically I could do.
I did everything to break in. I even recorded covers of Alicia Keys and Lauryn Hill, and put them on Youtube in the hopes that Drake would discover me like he did Justin Bieber.
It has been an honor to paint on stage and have my art grace the albums and stage sets of renowned musicians.
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
Performing on stage is such a buzz. I've done stupid things such as jump off a building, but I'd never experienced adrenalin like I did on stage.
On stage, I feel like I'm invincible, like nothing bad can happen. I can be myself. I feel like I shrink when I'm off stage.
In Stage I, divorces were not allowed, so men's [sexual] affairs did not put women's economic security in jeopardy; in Stage II, affairs could lead to divorce, so men's affairs did place women's economic security in jeopardy. We did not want political leaders who would be role models for behavior that would put women's economic security in jeopardy.
When I was growing up, there was no one. There were very few black women in tech; there were very few black women in the fashion game. We didn't have our Grace Jones - Grace Jones was before my time. We didn't really have a lot of black women in electronic and punk who were celebrated in the same levels as, say, your big mega-superstars.
Robinson did not merely play at center stage. He was center stage; and wherever he walked, center stage moved with him.
When you go on a stage, before you go on a stage you're really scared and you're really frightened. You don't know what to do. "Why did I say yes to this?" But once you're on the stage you think, "Okay."
One of the things I do tell young women, if they want to pursue a career in acting, is to get good stage training. It is essential to have a good basis in stage technique. You can move into film easily, and acquire more skill and more understanding, but you can't necessarily go the other way around. For women, longevity of career will very much be on stage.
I can feel how an audience is reacting when I'm on a stage, but when you are on stage, your perception is distorted. That's something you just have to know. It's like pilots that fly at high Gs and they lose, sometimes, consciousness and hand/eye coordination and they just have to know that that's going to happen. They have to be trained to not try to do too much while they are doing that. So when you are on stage, you have to be aware that you are wrong about how it feels a lot of times.
What I do on stage, you won't catch me doing off stage. I mean, I think deep down I'm still kind of, like, timid and modest about a lot of things. But on stage, I release all that; I let it
go.
We are fast approaching the stage of the ultimate inversion: the stage where the government is free to do anything it pleases, while the citizens may act only by permission; which is the stage of the darkest periods of human history, the stage of rule by brute force.
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