A Quote by Jillian Hervey
I'm a Gemini and Lucas Goodman is a Leo, so we definitely wanted some duality. We definitely balance each other out in a lot of ways, but we're also very different.
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I'm pretty excited for people to listen to the story of each song. It's definitely like a giant book with different stories in it. They are all very child-like but also a balance between light and dark.
It's definitely always daunting to have your name on a show and a lot of pressure in some ways, but obviously in other ways it's a lot of fun and it's a great honor.
'One Day' is definitely heartbreaking in a few ways, but one of the main ways is that my character and Jim Sturgess's character are just people from two different worlds who love each other in so many ways and can't quite seem to get it together.
There are definitely connections between poems, but I wanted each to stand on its own. I guess it goes back to the idea of trying to zoom in and out, and to modulate, so there are different ways of looking at any experience for the reader. Even having short poems and long poems - there has to be some kind of variation in the experience of reading as a whole.
For me, they definitely made it more challenging. The comfort zone factor really kicked in between Leo and I, and I just think that's because we know each other so well. We've known each other since we were 20-years-old.
I was definitely different from the other kids... I was more ambitious. I knew what I liked and what I wanted, and I worked really hard. I was a very serious kid.
It definitely takes a long time, because Umbrella Academy' scenes are very interesting from a writing point of view with all these very off-the-cuff, oddball characters who are all different from each other.
I mean listen, ultimately I'm positive George Lucas was inspired by 'Dune' when he made 'Star Wars.' I don't know if that's sacrilegious to talk about, but there are a lot of similarities in some areas, so you could tell he was definitely influenced by that.
For sure I think the traditional martial arts is a good background to have and definitely allows me to do a lot different things inside the cage. My wrestling background definitely helps me out a lot, but I don't think either one led directly to MMA.
In a way, architecture is about communication. That's an aspect of the discipline that is somewhat lacking, and there's definitely room for more progression into that area. I suppose that gives me a bit of a different edge. I'm also very, very used to doing a lot of exhaustive research and finding interesting information from different sources.
For Michael [Bay] and I [ Transformers: The Last Knight ] is our third movie so we're quite familiar with each other and know where to push each other and bring the best out of each other. But I'm definitely not as young as I used to be, that's the biggest difference.
We had spent a lot of time in London [with Lucas Goodman], which has been amazing, but also it was kind of a homecoming and we felt so surrounded by a specific community of people who are just so New York, so unapologetically themselves and so creative.
Definitely scatterbrained. I internalize a lot of thoughts, and sometimes it seems like I'm not listening or totally zoned out, but I'm always on a loop of ideas and song titles. I'm definitely kind of a space cadet, but I'm very laid back.
I wanted to be different and original but still have it be something my fans could get into. There also are some big, beautiful ballads. I told my producers that I wanted tracks that are going to blow up in the clubs, but I also wanted songs that were very melodic and with a lot of instrumentation.
There are definitely - there is definitely an element of Donald Trump's support that has its basis in racism or xenophobia. But a lot of these folks are just really hardworking people who are struggling in really important ways.
True to their history, the English are very domineering and have manipulated it in different ways. I wouldn't say that there was an original, but there is a lot of expurgation in some of the Victorian translations, and there's a lot of additional salacious nonsense in some of them, too. I also like the early French one, much-derided for being fanciful but which is actually very elegantly done. It's very big, very capacious.
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