A Quote by Jillian Hervey
Because of the time we're in, it's so easy to just blend all of it together and it's kind of like you're listening to everything all at once.
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I like how time goes on set. It's almost like time on an airplane or something where people are together. It's a different, very trippy kind of time, I find, because you're together in imaginary time where you're out of time. You're called upon to be present and honor what can happen in the moment. And the whole day can go like that. The whole day can be a kind of meditation.
I didn't want to be the best at anything; I just wanted to blend in. And that was kind of my existence throughout my family experiences at home of just kind of blending in in the background through my other siblings, which was easy to do.
I look like I'm not listening, but I'm actually listening. I like listening to everything, observing everybody, just taking everything in, and then, in my mind, figuring out what's good for me and what's bad for me.
When I'm writing [songs], some days the pen just goes. I'm not in charge and I'm almost listening outside of it. That's when I realize that we all have to start looking at life as a gift. It's like listening to a color and believing that these colors have soul mates and once you get them all together the painting is complete.
If someone asks me what inspires me, I always say, "That which is missing," because I don't want to copy everything that's already happening. I feel like when you copy, you blend in, and when you blend in, you get lost.
I think good art has good concept behind it. Nothing can always articulate fully the way a Ph.D. candidate can articulate their thesis, because artists work with a combination of intuition and intellect blended together and out comes whatever they produce. So it's a blend of kind of a sensual response to material and an intellectual response to idea, maybe a blend of the two.
The late sixties and early seventies were kind of a breeding ground for exciting new sounds because easy listening and folk were kind of taking over the airwaves. I think it was a natural next step to take that blissful, easy-going sound and strangle the life out of it.
Confidence is the key to virtually everything. It's just deciding that you're qualified because once you decide you're qualified, everything else becomes very easy.
The thing with me is, about that - about rock and all that - years and years of crate-digging, listening to old music, you kind of start to connect the dots. And I was seeing the thread that was connecting everything together, which is pretty much the blues. And everything soul or funk kind of starts with that.
No, it's that fun we have. It's real. I'm so thankful they cast good, funny, interesting, warm, kind people in “Castle”, because we blend very well together. At this point it's like a family. We help each other. I constantly ask them: “What's funnier: if I do this or I do that?” And I don't think we care anymore about looking weak or unprofessional. We all just want the best for each other and for the show.
At that time, I was still in an experimental stage, trying to blend Western drawing techniques and Chinese brushwork together. It was harder for me back then... But that piece is special and important, because it represents vigilance and innocence; the kind of precious innocence only present at the beginning of a new artistic exploration.
I'm kind of sad and happy all the time. Just kind of like feeling, you know, full of life and confident, and at the same time terrified. I'm all of those things at once.
I feel like my life right now is so crazy; there's no time to dwell on difficult things. You just have to figure out how to fix it or get past it because there is no time to do anything else. Being a mom to a toddler, my career, and my husband's career - all of our worlds just kind of colliding at once, you just make it work.
I really just blend like rock, R&B and rap together to create a sub-genre, but it's very versatile.
The American public is a very specialized public. The reason it is taken as a realistic film is because inside the fable, I've put that kind of reality in. And it could easily be called, instead of Once Upon a Time in America, Once Upon a Time There Was a Certain Kind of Cinema. Because it was also an homage to cinema.
Spending time with you just feels...right,somehow. Easy, like the way it's supposed to be. Like it is with my parents. They're just comfortable together, and I remember growing up thinking that one day I wanted to have that, too.
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