A Quote by Jillian Hervey

As a dancer, you're told not to go into it for the money. — © Jillian Hervey
As a dancer, you're told not to go into it for the money.

Quote Topics

I'm your private dancer, a dancer for money, I'll do what you want me to do.
Forget the dancer, the center of the ego. Become the dance. Then the dancer disappears and only the dance remains. Then the dancer is the dance. There is no dancer separate from dance, no dance separate from the dancer.
I would never go on 'Dancing With the Stars,' because I'm not the greatest dancer in the world. But when I watch 'The Apprentice' sometimes I'm like, 'I could do that task.' The only reason I would not do that is that I could never call people for money and on that show you have to be willing to call people for money.
I consider myself an actress first, a dancer second, and a singer third. Why? Because the dancer needs a reason to move-that's the actor informing the dancer. So I worked on my acting and gradually developed a singing voice.
I've been told if you're an actress you can't sing, if you're a dancer you can't act, you can't do theatre and be respected if you've done a TV soap, you can't have a No. 1 record. All these different things they've told me I can't do, but I wanted to do them, so I've done them.
A good dancer is not necessarily defined by great technique, skill, or ability to pick up choreography but by confidence. When you feel the music, it penetrates to your soul. Everybody's a dancer. The greatest dancer is someone who is willing to dance, not afraid.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
I taught and studied dance in college, and for over a decade, I thought that would be my career: tap dancer, ballet dancer, modern dancer. I still find myself doing some tumbling or interpretive dancing in the grocery store every now and then.
As a dancer, you really try to stay true to whatever the choreographer/artistic director is giving you. So, now the shoe is on the other foot and I have to trust everyone else - I have to trust the dancer. As I was trusted as a dancer, I trust my dancers.
Sabine gestured to him with the half-eaten crust. "I like him. Not sure why he's wasting his time with the pole dancer, though." Tod laughed out loud and I groaned. "Sophie takes ballet and jazz. She's not a pole dancer." "There's more money in pole dancing," Sabine insisted.
She told me that all the girls in Annezin prayed every night for the war to end and for the English to go away as soon as their money was spent. She said that the clause about the money was always repeated in case God should miss it.
I actually was a ballet dancer - I studied ballet from three until 13 - but like very seriously, that's what I wanted to do. I wanted to be a contemporary ballet dancer. I wanted to go to Juilliard.
I'm a tap dancer. Once you're a tap dancer, you're always a tap dancer. In 'After Midnight,' I get to dance, but I don't do a full tap number.
With girls I get no respect. A belly dancer told me I turned her stomach.
My entire life, people have told me that I couldn't do certain things. They told me I couldn't go to college. They told me I couldn't go to Yale, Georgetown, couldn't end up doing much on Capitol Hill. Couldn't be party chair. And my response has always been, 'Watch me.'
From the time I was 2, I told my mom I was going to be a singer. And she'd say, 'Sure, honey, and tomorrow you'll want to be a dancer.'
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