A Quote by Jillian Hervey
I studied structured improv, where you start from one position and see where it takes you. I like spontaneity. If you set yourself up to do the same thing every night, you may not connect as well to a different audience.
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But live you get the chance every night to rework it and change it and hone it. But then you get the false, weird oddness of being able to look at it and say: "Well that's weird, because last night they laughed at that and yet they didn't tonight. So what did I do? Nothing was different." You have that strange thing of being able to tell within five minutes what an audience is like. Very quickly an audience gets a personality and you start to think: "What is it about you all; you all hate it, don't you?" Then you come out and have friends in and they say: "It was brilliant!"
It's great when improv is encouraged. It's a really fun thing. It depends on who's in the movie and how their process works, as well. It takes a director who is open to that because you have a script, but then something funny could happen on set. So, to have people around you who encourage improv is really exciting.
It's one thing to throw Rodrygo into a system that's already structured, like Real's. It's another thing to put him in a team that is being reassembled, even if he was doing the same job in the same position.
You perform for a different audience each night. People who don't understand just think that you go out there every night and do the same thing, but you don't - you have to find out who they are and give it to them.
Unfortunately, every American citizen takes the same position... that we don’t like negative advertisements. But they work! And, as you see, many a candidate has prevailed by tearing down the reputation of an opponent in a more advantageous position.
I like the saying: "The world is as you are." And I think films are as you are. That's why, although the frames of a film are always the same - the same number, in the same sequence, with the same sounds - every screening is different. The difference is sometimes subtle but it's there. It depends on the audience. There is a circle that goes from the audience to the film and back. Each person is looking and thinking and feeling and coming up with his or her own sense of things. And it's probably different from what I fell in love with.
You have a new audience for every show. Even though you do the same thing all the time, you gotta keep it fresh for yourself, and you gotta keep it good and interesting and something you want to do. I'm anxious to have a really terrific act. Whatever it takes it takes.
I'm not the kind of person that can do the same thing over and over and over, so that's why touring, playing in a different venue every night, in front of a different audience, is so rewarding, you know, because it always feels fresh.
I have to visualise my jokes, live my jokes, feel the audience because every audience is different. It's like having a different dancing partner every night.
The great thing about the stage is that you have a structured month-long rehearsal period where you're going in every day. You have to have lots of run-throughs with theater because there are no second takes in front of a live audience.
An Experiment, like every other event which takes place, is a natural phenomenon; but in a Scientific Experiment the circumstances are so arranged that the relations between a particular set of phenomena may be studied to the best advantage.
I think with improv - and I say it all the time because it's become such a catch thing that you talk about improv - if the scene is well-written, you don't need to improv. But that being said, if something strikes you in the moment and, most importantly, you know where the scene is supposed to go, it's no different than method acting.
Improv is like writing. It's actually a different discipline to acting. It helps acting greatly, but it's completely different. It's the same side of your brain when you write as when you improv.
I don't like to play the same set every night. I think the band would prefer the same 12 songs, to be honest, but if I get bored, then I think the audience gets bored too.
The paparazzi were outside the theatre every single night, but we came up with a cunning ruse. I would wear the same outfit every time - a different T-shirt underneath, but I'd wear the same jacket and zip it up so they couldn't see what I was wearing underneath, and the same hat. So they could take pictures for six months, but it would look like the same day, so they became unpublishable. Which was hilarious, because there's nothing better than seeing paparazzi getting really frustrated.
It's great when improv is encouraged. It's a really fun thing. It depends on who's in the movie and how their process works as well. It takes a director who is open to that because you have a script, but then something funny could happen on set.
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