A Quote by Jillian Mayer

Everyone is always trying to figure out the future of film distribution. I try and not spend too much time worrying about things like this and just try to focus on making the best work I can to entertain me and my friends.
When I make films I'm very intuitive; I'm instinctive. When you are shooting there's little time to think about abstract ideas, it's about getting things done, getting them right, and trying to channel the energies and get the best of whatever you have on your set. It's only once the film is finished that it's like, "Okay, let's try to figure out what happened." Try to figure out exactly what I did.
Fortunately, the way I play tennis, I don't have to spend too much time analyzing or worrying about my opponents. I typically try to focus on my own game, and I know if I do that and execute, I can beat anyone.
The concern about what's too violent or what's too scary is something that I just completely don't let enter into my creative process. I feel like, if I spend a lot of time trying to worry about whether it will appeal to everyone and who will like it and who won't, and I try to please everyone, I'll just spread myself too thin and lose my mind.
I pretty much just focus on making the records - unless I'm self-releasing them; then I do my own thing. But at some point, you have to stop worrying about chains of distribution, or it takes out of your time to write.
I feel like we've inherited modern infrastructure, and I could run away from it and become a full-time activist, or I can try to do my job, and try to talk about things I care about, and be able to do something like sponsor a topsoil conference in Nova Scotia, and talk about Bill McKibben, and narrate a documentary about the vanishing of the bees, and try to navigate my way through this world the best way possible. That's what I'm trying to figure out. Probably like many people right now.
I don't know much about the music business, but for just general advice for someone trying to create things, as simple as this sounds, I think the best thing you can do is constantly try to improve upon your work. Always focus on that first and foremost, and leave everything else (marketing, image) completely secondary. Obviously, easier said than done when you're trying to make a living, but if you can move along those lines and earnestly try to make things that you really enjoy it can only benefit you in the long run.
I try to focus on practice. This is work time. This is where we work, this is our office. I try not to let it distract me too much.
I don't think too much about how it might exist in the world in a commercial sense - I more just try and focus on making music that I love and trying to put it out into the world.
The process is really what you have to do day in and day out to be successful, we try to define the standard that we want everybody to sort of work toward, adhere to, and do it on a consistent basis. And the things that I talked about before, being responsible for your own self-determination, having a positive attitude, having great work ethic, having discipline to be able to execute on a consistent basis, whatever it is you're trying to do, those are the things that we try to focus on, and we don't try to focus as much on the outcomes as we do on being all that you can be.
President Obama stands ready to work with everyone, because that's what the American people expect and deserve - not for the short term political advantages, but the long term health of our country. We don't spend time trying to figure out what's in the minds of Republicans, we try to keep our focus on the American people.
In the match, I just try to focus what I have to do. I try not to think too much about outside things.
I try never to focus on the radio, just find great songs, find emotion and just write the best songs you can. I think when you get fixated on trying to do something too accurate, it becomes more washed out and less what you intended it to be. So I think each time the challenge for me is to try and reinvent a little bit.
I spend quite a bit of time thinking about my students. I look at them, at their work, I listen to what they tell me, and try to figure out who they might become in the best of all possible worlds. This is not easy. Students try to give you clues; sometimes they look at you as if imploring you to understand something about them that they don't yet have the means to articulate. How can one succeed at this? And how can one do it 20 times over for all the students in a class? It's impossible, of course. I know this, but I try anyway. It's tiring.
It's nice to have it recognised that I'm doing well and to have people saying good things about me, but I try not to take too much interest. I just try to focus on my own game and what I need to do to improve.
I'm always like that about everything. When I try to do something, I always think, "What is the best way to do this?" Instead of taking what everyone else says and how it has been forever, it's faster for me to try myself. Of course I listen to what everybody says, and at first I'll try what people say, but I always come back to trying it my way.
I try not to think about that [getting Oscar] ahead of time. You just try to do the best work you can, and then you get the movie out there, and we've been hearing good things. But you never know, you don't want to get too high, and you don't want to get too low.
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