A Quote by Jilly Cooper
I'm not wild about holidays. They always seem a ludicrously expensive way of proving there's no place like home.
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Comedies are just never that expensive quite frankly. They really aren't. We aren't doing green screen shooting, so even Hangover II in Bangkok might seem like it's expensive, you're flying over and back, but they're just not that expensive to make when you do it the way we do it which is very focused and I've done it before.
I wrote the script to 'Lady Bird,' and it really came out of a desire to make a project about home - like, what the meaning of home is, and place. I knew Sacramento very well, obviously, growing up there, and I felt like the right way to tell a story of a place was through a person who's about to leave it.
In general, signalling theory says that if you have a good way of proving something and a noisy way of proving something, and you choose the noisy way, that means chances are it's because you couldn't do the good way in the first place.
I feel like I've spent a lot of time imagining home and thinking about a dream-like place, as opposed to a real place, because that's not what I was able to do, meaning go home or be home.
For me, It's not necessarily about proving people wrong, but proving to myself that I can do it my way and still win.
Take the Long Way Home is a song that I wrote that's on two levels - on one level I'm talking about not wanting to go home to the wife, 'take the long way home' because she treats you like part of the furniture. But there's a deeper level to the song, too. I really believe we all want to find our true home, find that place in us where we feel at home, and to me, home is in the heart. When we’re in touch with our heart and we're living our life from our heart, then we do feel like we found our home.
Of all modern notions, the worst is this: that domesticity is dull. Inside the home, they say, is dead decorum and routine; outside is adventure and variety. But the truth is that the home is the only place of liberty, the only spot on earth where a man can alter arrangements suddenly, make an experiment or indulge in a whim. The home is not the one tame place in a world of adventure; it is the one wild place in a world of rules and set tasks.
What should I do about the wild and the tame? The wild heart that wants to be free, and the tame heart that wants to come home. I want to be held. I don't want you to come too close. I want you to scoop me up and bring me home at nights. I don't want to tell you where I am. I want to keep a place among the rocks where no one can find me. I want to be with you.
(On returning to Austin to run at his collegiate stadium) It is almost like coming home with the crowd, the people, and it just brings it home for me. For me, it is a very special place, it is great energy, and again I always seem to run very well here. So I love coming back.
You can't go home and look at your plaques at the end of the day, because every politician has like a million plaques on their wall. OK? You don't go home and look at - you don't get anything for that. And you can't go home and say, boy, I really served the Democratic Party or the Republican Party. You want to go home and, you know, Fourth of July, you know, any of these special holidays that recognize our country, you want to feel like you've built a stronger nation, which means you helped build the people and put them in a stronger place where everyone's lifted.
People seem to think, because of the way that the media has appropriated third-wave feminism or young feminism, that all young feminists are about is like pole dancing and girls gone wild and how empowering it is. Like they'll start calling anything feminist.
Everyone knows these stories about a wild and crazy guy called Bonzo, but at home he was just like any other father; always hollering at me for not doing my homework.
It’s funny. When you leave your home and wander really far, you always think, ‘I want to go home.’ But then you come home, and of course it’s not the same. You can’t live with it, you can’t live away from it. And it seems like from then on there’s always this yearning for some place that doesn’t exist. I felt that. Still do. I’m never completely at home anywhere.
It might seem ludicrously simple, but the obvious answer to what to wear on your bike is whatever that helps you enjoy cycling.
When I was at home, I always cooked, and I usually cook over all the holidays. I always used organic.
It had nothing to do with gear or footwear or the backpacking fads or philosophies of any particular era or even with getting from point A to point B. It had to do with how it felt to be in the wild. With what it was like to walk for miles with no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way.
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