A Quote by Jilly Cooper

The letter of application ... should be a masterpiece of fiction, papering over all the cracks. Get it properly typed on decent writing paper. Never let it run over the page, people get bored with reading.
I like playing the same person over and over again. I've done shows for over a year on Broadway, and I never get bored.
Friends will write me letters. They run out of room on the front of the letter. They write 'over' on the bottom of the letter. Like I'm that much of a moron. Like I need that there. Because if it wasn't there, I'd get to the bottom of the page: 'And so Kathy and I went shopping and we--' That's the craziest thing! I don't know why she would just end it that way.
Being typed is not important. For a while vou are typed as one thing. You get out of that. Then you are typed as something else. You can break away from everything except comedy. It's fatal to be typed as a comedian. You can't get out of that.
Within the small crew of people who hold the media's many 'NeverTrump' positions, the Ethics and Public Policy Center's Pete Wehner doesn't get enough credit for writing the same thing over and over and over and over and over again.
Promiscuity is like never reading past the first page. Monogamy is like reading the same book over and over.
This is a stamina game, so don't despair if you run down a blind alley and have to start over, or if you get another rejection letter. Every successful writer has gone through that, but they kept writing and didn't quit until they made it happen.
I like to improvise so much live because I get bored playing the same thing over again. It's like the kid at school that already knows all the answers so doodles all over the paper. I do that a lot live.
I think all writing is political. All writing shows a preoccupation with something, whatever that thing might be, and by putting pen to paper you are establishing a hierarchy of some sort - this emotion over that emotion, this memory over that memory, this thought over another. And isn't that process of establishing a hierarchy on the page a kind of political act?
I'm taking probably the biggest risk of my career in playing the part in Filth. If you stop taking risks, then you get bored, or you just keep playing the same part, over and over again. Eventually audiences get bored of that, as well.
I think, I just always want to leave the door open for, you know, I don't want it to be finished. I've never gotten sick of a song, I've played them over and over and over again, and if I get bored with something, then I'll just change that thing.
I have gotten everything from a one-page letter written in pencil to a 50-page computer generated masterpiece.
I'll get a three-page letter and the last paragraph says 'I know you'll never read this, but here's my number.' I love to call those people because the first thing they say is, 'Governor, I didn't mean everything I said in the letter about you.'
I'm so tired of stories starting, 'Maud Jones was walking her dog down Broadway.' You've got to go over to the back page somewhere to finally find out the damn dog was run over by a truck. Get the thing told, for heaven's sake. Everybody doesn't have to be an O. Henry.
Musicians tend to get bored playing the same thing over and over, so I think it's natural to experiment.
As poets, we're writing into the void, and we're not writing to be bestsellers. Whatever individual responses we get, whether at a reading, by a conversation or a letter, mean the world.
Writing fiction is not a profession that leaves one well-disposed toward reading fiction. One starts out loving books and stories, and then one becomes jaded and increasingly hard to please. I read less and less fiction these days, finding the buzz and the joy I used to get from fiction in ever stranger works of non-fiction, or poetry.
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