A Quote by Jilly Cooper

The aristocrat, when he wants to, has very good manners. The Scottish upper classes, in particular, have that shell-shocked look that probably comes from banging their heads on low beams leaping to their feet whenever a woman comes into the room. Aristocrats are also deeply male chauvinist, and ... on the whole they tend to be reactionary.
I was very struck by the fact that Robin Hood became increasingly taken over by the middle and upper classes. He starts out a bandit but becomes a fully fledged aristocrat.
The film industry is driven by male narrative. Heads of studios are often men, teeming with male executives everywhere you look, and so the narratives we have the screenwriters usually for male leads. Women tend to be second string: the girlfriend of, the secretary who becomes.
As Aristotle said, you have to be an aristocrat or a reactionary to write a good proletarian poem.
It's different for different people, and for a woman it's important to look as good she wants to look. But you don't need to do it for someone else or to impress some male out there. You do it for your own sake. You wear what makes you feel good, you put make-up and jewellery - whatever gives you self-confidence.
The great secret, Eliza, is not having bad manners or good manners or any other particular sort of manners, but having the same manner for all human souls: in short, behaving as if you were in Heaven, where there are no thirdclass carriages, and one soul is as good as another.
I walk up and down the rows. The heads look like rubber halloween masks. They also look like human heads, but my brain has no precedent for human heads on tables or in roasting pans or anywhere other than on top of a human bodies, and so I think it has chosen to interpret the sight in a more comforting manner. - Here we are at the rubber mask factory. Look at the nice men and woman working on the masks.
My great grandparents are Scottish, and I have this very tenuous connection which I try and bump up whenever I can, because I'd much rather be Scottish than English.
The state machine, including the army, the police and the courts, is the instrument with which one class oppresses another. It is an instrument of oppression against all hostile classes; it means violence and is certainly not anything 'benevolent.' 'You are merciless.' Quite so. We definitely do not adopt a benevolent policy towards the reactionary activities of the reactionaries and the reactionary classes.
All the other large and small nationalities and peoples are destined to perish before long in the revolutionary world storm. The next world war will result in the disappearance from the face of the earth not only of reactionary classes and dynasties, but also of entire reactionary peoples. And that, too, is a step forward.
I'm not particularly ethnically Scottish; I have one grandfather who is Scottish, although he's called Macdonald, and you don't get a lot more Scottish than that. The Scottish part of my family are from Skye, and I've always been very aware of that - always been very attracted to Scottish subject matter, I guess.
I was very, very shocked about Cooperstown. I thought my chances were fairly good, but I tried to stay low key about it, not too high and not too low. That was the way I played, too.
You go to a technology conference or an engineering conference, there are very few women there. At the same time it's a blessing in the fact that you do get noticed. People tend to remember you as the only woman in the room 'who said that', or the only woman in the room who was an engineer.
Whenever I go to any particular event, people are shocked that I'm a fighter. To be a fighter, I have to look a certain way, and to be an actress, I have to look a certain way. I have to change that; I've joined acting to do meaningful cinema and to show that there is much more than glamour that actresses can offer.
But every point of view is a point of blindness: it incapacitates us for every other point of view. From a certain point of view, the room in which I write has no door. I turn around. Now I see the door, but the room has no window. I look up. From this point of view, the room has no floor. I look down; it has no ceiling. By avoiding particular points of view we are able to have an intuition of the whole. The ideal for a Christian is to become holy, a word which derives from “whole.
Woman to woman, I shared a connection with Omarosa as a friend and a campaign sister, and I am absolutely shocked and saddened by her betrayal and violation on a deeply personal level.
He who gets nearer the sun is leader, the aristocrat of aristocrats, or he who, like Dostoevsky, gets nearest the moon of our non-being.
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