A Quote by Jim Broadbent

If you're playing any real person, live or dead, you certainly have a responsibility to produce that reputation in some way. — © Jim Broadbent
If you're playing any real person, live or dead, you certainly have a responsibility to produce that reputation in some way.
For me, there's always a huge attraction in playing real people. But with it comes an incredible sense of responsibility because you're playing a real person in a real event.
When I was playing for Real Zaragoza, I had the responsibility that I was playing for the club that I support and that I love. When I was playing for Athletic Bilbao, I was feeling the responsibility to play for the most special philosophy in the world, which is only playing Basque people.
When you're playing a real character, you want to honor that person and receive inspiration from that person. They need to anoint you in some way that allows you to borrow just a small piece of their soul. That is the flame.
When you're playing a real person there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
When you're playing a real person, there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
You feel a huge sense of responsibility when you're playing a real person.
In daily practice, the word brand stands as a surrogate for the word reputation. In fact, your brand acts just like a person. When you know a person's reputation, you can predict his or her behavior. You know what that person is likely to do or say-or not do or say-in any given situation. Your brand works the same way.
One of the things that's particularly nefarious about Ebola is that it continues to live in a dead person for some period of time after death. A person who's been dead for a day or two may still be seething with Ebola virus.
The way the Statute of Rome is written, responsibility for war crimes can be taken all the way up the chain of command. This is the sort of investigation that some people who live in Fairyland might like to undertake, but which bears no relationship at all to conditions in the real world.
In my opinion, the only real asset one has is one's reputation, right? I mean, any company and institution can go belly up at any time. But if you have a good reputation, you know, you can usually find somebody who can - who thinks they can use what you have to offer.
I do as much research as is physically possible when I'm playing a real person, be they alive or dead.
Once you're playing someone, you shouldn't be judging them in any way. That's what being an actor is - it's having empathy for people that are different from yourself. Once you've committed to that person, your responsibility is to tell that story.
I think the hardest thing about the part is the responsibility that you feel playing something that is so real and resonant in our times. There are people coming home right now with those stories, and I'm just an actress pretending to be that person. You hope that you can shed some light on somebody's predicament.
I had never seen a real live dead person.
When it's a real person, you want to be as honest as you can and approach it in a similar way as you would any other character, but with that restriction and wanting to respect the boundaries of that person and not be intrusive in any way.
Any story hits you harder if the person delivering it doesn't sound like some news robot but in fact sounds like a real person having the reactions a real person would.
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