A Quote by Jim Broadbent

It's fatal to talk about acting. It sounds faintly ridiculous if you start analysing it. — © Jim Broadbent
It's fatal to talk about acting. It sounds faintly ridiculous if you start analysing it.
I turn on the machines and start to think about ideas and take it from there, it usually begins if it's a beat, a track creating a beat/beats and then the bass-line/lines, then comes the sounds--drones, atmospherics etc, then the edits of various sounds I created and keep going till I feel I have enough sounds ideas to start working and building a track. I have many banks of sounds that we hear that can be manipulated in the machines.
The minute I start to talk about acting, I realize that I can't. You know, it's an abstract thing, a little bit mysterious even if you do it for a living.
Acting is like sex: you either do it and don't talk about it, or you talk about it and don't do it. That's why I'm always suspicious of people who talk too much about either.
There wasn't really anything I wanted to do other than acting, which is ridiculous because there were no actors in my family, and we didn't know anything about acting.
When you start to look at completing the development of a modern professional army, when you talk about maturing a democracy, when you talk about development and the economic conditions that have to be addressed, a decade is not too short a period of time to talk about.
It is fatal to one's artistic life to talk about something that is in process.
If you start acting and you start thinking about and worrying about what other people are going to say about it, you'll never really fully commit to who it is and what it is that you're playing.
It's funny, when you become an actor and you're successful, they don't want to talk about acting any more. 'Hey let's talk about that stuff you were fired from.'
I did a guest appearance on 'Entourage.' That was horrible, because I'm used to analysing the characters, working with all the details... and they said, 'No no no, walk and talk, walk and talk! It's energy energy energy!' - so it didn't quite suit me.
Part of my preparation for the World Champion match against Kasparov was to be ready for his off-board tactics. I did not to react to them at all. Once you start thinking about these things during the game, even analysing them, you're caught.
For every fatal shooting, there are about 3 non-fatal shootings. Folks, this is unacceptable in America.
I don't try to hide our relationship with Jay-Z. There's nothing to hide. People see us, but we just don't talk about it, and I think that's absolutely helped us. People give us space and respect us. The minute you start talking about it, that's all people want to talk about. And then the really big rumors start happening.
I love talking about acting. I'm just such a fan of actors and filmmakers, and I try to choose roles where I get to talk to great actors about acting and learn.
People talk about the difference between radio acting, TV acting and stage acting, but I think it's all the same. For instance, when I played Vultan in 'Flash Gordon,' I put as much energy into it as I would with 'King Lear' - it's all part of the same thing.
Acting was always something I pursued by myself. When we were in college, I took an acting class that I was so passionate about and devoted to, but I went to it privately and never really spoke about it. I'd have these ecstatic experiences in, like, a church basement and then never talk about it with other people.
I can talk about feelings, but I can't talk about why this chord on top of this chord sounds cool to me. It just makes me feel a certain way, and I like it.
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