A Quote by Jim Brown
There have been so few decent films involving Negroes that right away everybody expects every film to do everything. But when you make a flick, there are maybe two things you're trying to put into that flick. You can put the other things in another time.
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We actually tried to put in [Kung Fu Panda 3] all the things we wanted to put into the first two films. We're all the same people who've been working on the other films and we all had things we couldn't do, and had to leave on the table. We just couldn't achieve them before. This time we have multiple new environments and different styles of animation.
Each time when my films get released, people always compare it with my debut film 'Parutthiveeran' and comment that nothing comes near that flick.
I'm trying to write every day if I can. I think the idea is to try and chip away at it as opposed to just sit down one day and then turn it on like a flick of a switch and expect everything to happen.
Before MTV, if you put out an album that sold 50,000 copies, your band could afford not to have day jobs for a while. That meant you could stick around, put out another album or two. Maybe it would be the second or third album where you'd make the statement you'd been trying to make all along.
I put so much pressure on myself to raise the bar with each and every project. I treat it like every film is my last, and I make sure I pour everything I have into every film I make because if I'm not trying to improve, someone else will.
If you're going to make a big wave, you have to be totally unified with everything that's happening... Maybe in the moment of having to know everything all at once you burst through the barriers of trying to put things in order.
Before moving to L.A., I was working with a lot of people who were manipulating me, where they either wanted to put things out immediately or didn't - I was on everybody else's time frame. But once I was on my own, I was like, 'You know what? I'm going to do this right and take my time, and I'll put things out only when I'm ready.'
Chick flick is not a term used to praise a movie. Nobody says 'it's a great chick flick.' It's a way of being derisive. I'm not clear why it's ok to do it.
No one sets out to write escapism as a film's subject matter unless, maybe, you are making a fantasy flick.
One of the very few things that I do every single day is put on fragrance. If I'm not wearing make-up, if my hair's not done, if I'm walking around in pyjamas - I still put my fragrance on. I will brush my teeth and put on my perfume.
There have been candidates who've been right on trade but wrong on the other two, right on war but wrong on the other two, right on immigration but not interested in the other two. It is this writer's belief that [Donald] Trump is the first one to come along, despite what a big buffoon everybody says he is. He is the only guy that's put his finger on the problems and the comprises and the areas that need to be addressed in order to owe direct the route which our country is traveling.
Sometimes I make films about scenes other filmmakers would leave out, so I just make the film out of all the things they wouldn't put in. Poetry allows you to do this more than prose, for example.
'One by Two' is a film about two people who live in the same city and do certain things that affect each other's lives. Yet, they are strangers. It's difficult to put the film in any particular genre or box.
I'm not a suicidal person at all, but on paper it seems that I am. I think I'm really quite horrible to myself in many ways. You always think it's going to be fine, the body will repair itself. There will be another chance. But I'm 33 now. The body won't keep repairing itself. You know when you can flick a coin and catch it on your elbow, and flick it up and catch it on the back of your head? And then you can't even catch it with two hands any more. You realise something is wrong.
Every single Pixar film, at one time or another, has been the worst movie ever put on film. But we know. We trust our process. We don't get scared and say, 'Oh, no, this film isn't working.'
We all live inside bodies that will deteriorate. But when you look at human beings, they're capable of very decent things: love, loyalty. When time is running out, they don't care about possessions or status. They want to put things right if they've done wrong.
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