A Quote by Jim Butcher

My hair had grown out long and shaggy—not in that sexy-young-rock-star kind of way but in that time-to-take-Rover-to-the-groomer kind of way.
The rock-star thing became very destructive, like, wow. I didn't know what I was doing. I just kind of became that thing. The hair, that rock-star kind of lifestyle, just living a dream. It kind of took over. It started out very innocent and then I turned into a cartoon character. And I started to feel like a cartoon character.
I've been wanting to be sponsored by some kind of hair product for a long time. I have a lot of hair, and it goes through a lot in my training camps anyways, so having some kind of great hair sponsor would probably be awesome for me. I'm kind of hard on my hair, but I think I have nice hair.
I thought I'd be edgy and dye my hair red. And I dyed my hair, like, Jessica Rabbit red. It kind of allowed me to have this whole new confidence and this whole new swagger and this whole new sense of self. It kind of brought out the inner rock star in me. I had never dyed my hair like that, and no one forgot me after that.
I thought Id be edgy and dye my hair red. And I dyed my hair, like, Jessica Rabbit red. It kind of allowed me to have this whole new confidence and this whole new swagger and this whole new sense of self. It kind of brought out the inner rock star in me. I had never dyed my hair like that, and no one forgot me after that.
I've got the long hair and kind of androgynous look. It's love-hate; it's sexy, but not sexy. So it's either you get it or you don't.
Like when I had long hair, you kind of got male attention from everything. But when you had short hair, it was a different kind of man that was attracted to you or I found coming up.
When you start your career, you have to figure out a way to separate yourself from the pack. So I went for a kind of preppy, psycho-killer look: I had short hair, grey flannel pants, and a button-down shirt. I think it worked, because nobody else was looking that way at that time.
Yeah, we were looking for a way to represent adulthood and the passing into adulthood. And I think, for me personally and a lot of the folks that I work with, childhood is kind of a sacred, special kind of point in time that has a real joy and purity to it. And we sort of long on a daily basis to reach back and kind of grab onto that in some way.
'Friday Night Lights' was kind of like my college years because I did four seasons of that. It was my first series. It was the most time I had with one character, and kind of growing and evolving with the character over that long of a span of time, it just allows you to sort of learn in a completely different way that I had never experienced.
The rock star is dying. And it's a small tragedy. Rock stars have blogs now. I have no use for that kind of rock star.
Punk rock was the first thing I found in my life that made me feel acceptable. The thing that got me into punk rock was the idea, "You're fine just the way you are." It sounds kind of dorky, but you don't have to make excuses for who you are or what you do. When you find something like punk rock, not only is it okay to feel that way - you should embrace your weirdness. The world is totally messed up, and punk rock was a way to see that and work with it without candy-coating it. It was saying, "Yeah, the world is this way, but you can still do something about it. Take energy from that."
Obviously I've been reading Kafka for a long long time, since I was really young, and even before I ever read him I knew who he was. I had this weird sense that he was some kind of family. Like Uncle Kafka. Now I really think of him that way, the way we think about an uncle who opened up some path for being in a family that otherwise wouldn't have existed. I think of him that way as a writer and a familial figure.
I was a big Guns N' Roses fan when I was seven. My friend who lived across the street had long dark curly hair and I had long blonde hair, so I'd dress up as Axl and she'd be Slash, and we'd rock out in front of the mirror singing 'Patience.'
When I think of artists that I would have loved to work with, it's Jimi Hendrix. And Steve McQueen. He's not a rock star, but he's kind of a rock star to me.
The neck is kind of what's sexy in Japan, so you have to have the kimono a little bit back. It was just a whole different way of appealing to what was sexy.
Its cool when I meet young guys from other bands who say how much an impact Aerosmith has had on them and how much they like me.I'll give 'em that 'C'mon you don't mean that' routine, but in my heart I know where they're coming from. If I had grown up in the '70's and was into rock n' roll, I know the kind of impact Aerosmith would have had on me. I know the kind of impact that Elvis and Jagger had on me, and while I'm not comparing myself to those guys, I can relate.
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