There's definitely a feeling with a short story that it's pure story telling. You're not really worried about theme. You're not going to stay with the characters long enough to live your life with them. And you have different kinds of relationships with them.
The Secret to a long and healthy life is to be stress-free. Be grateful for everything you have, stay away from people who are negative stay smiling and keep running.
The secret to a long marriage is to stay gone.
I'm drawn to a good story, really, as I hope most people are. For me, it's the story that's going to stay with you eventually, not necessarily the genre. I go to watch a film because of the story, not because it was a Western or a comedy.
It absolutely helped - to write the father in both 'Juicy' and 'Beasts,' I had to see the whole story from his point of view. All of a sudden I understood more of what my own father must be going through - the fear, the frustration, the anger... the hope that he'll leave a legacy.
I really like knowing secrets, and once I do know that secret, I can keep it. But if I'm on the outside and I don't know the secret, that's a different story. I will try with all my power to get the secret out of the person who knows.
I try to weave a secret into each plot. It's the thread that holds the rest of the story fabric together. In fact, it's the reason for the story. I hint at the secret early on. Immediately I want the reader to get the feeling that something here isn't quite right. It helps maintain the suspense if a puzzling element is introduced in the first few pages of the book, but the answer isn't revealed until the final ones. Hopefully, readers want to know what the heck is really going on, and it's the desire to find out that keeps them turning pages.
My name got kind of hot as a D.J. around town; on the north side of town, they had 'D.J. Juicy J.' That's what I called myself: 'The Notorious D.J. Juicy J.'
Watermelons and Zen students grow pretty much the same way. Long periods of sitting till they ripen and grow all juicy inside, but when you knock them on the head to see if they're ready sounds like nothing's going on.
There are filmmakers like me in different parts of the world that have a story they want to tell, and it's a story that comes out of a certain historical reality within their own life. Then you get committed all the way and however long it takes, stay very committed.
I did not intend for there to be an incisive historical lesson in 'North and South.' Basically, it's just a good, juicy story.
I sucked in the smell of her perfume, Viva La Juicy, and was swept away. La Juicy was part of my oxygen supply, even for the year and a half we were apart.
If you're creating a story, it's a lovely sort of secret thing going on in your head.
It's purely and simply the unfair media.They want the story to stay alive as long as possible.
How can you have a security guarantee? The Europeans can give their security guarantees to Iran all they want in return for their stopping their enrichment. But as long as America says we're going to stay out here and we're not going to drop the stick, we're going to pound you if we have to, it's not going to work.
The things that I leave creatively are going to stay here long past me. That's the reason why the album is called '4Eva Is a Mighty Long Time.'