A Quote by Jim Butcher

Any time I’m not shooting my mouth off to a clichéd, two-bit creature of the night like you, it’s because I’m up to something. — © Jim Butcher
Any time I’m not shooting my mouth off to a clichéd, two-bit creature of the night like you, it’s because I’m up to something.
Cars are good for entrances and exits. And there is something about driving that is quite cliched in a funny way. I like Roy Orbison's video for I Drove All Night because it's so literal. It is just a man driving throughout the night. I like that silliness. To be in a video is a ridiculous thing. It's almost impossible to do it without any humour.
I don't start shooting off my mouth. I'm not like that. I'm a mother.
The painting showed a hairless, oppressed creature with a head like an inverted pear, its hands clapped in horror to its ears, its mouth open in a vast, soundless scream. Twisted ripples of the creature's torment, echoes of its cry, flooded out into the air surrounding it; the man or woman, whichever it was, had become contained by its own howl. It had covered its ears against its own sound. The creature stood on a bridge and no one else was present; the creature screamed in isolation. Cut off by - or despite - its outcry.
We worked six days a week [on the The Breakfast Club], so you have one day off. So on that Saturday night, it's not like we could all go out and have a drink because Molly [Ringwald ] and Michael [Hall] weren't old enough. And Ally [Sheedy] pretty much kept to herself. So Emilio and I, every Saturday night, would go into Chicago because we were shooting outside of Chicago in Des Plaines. It's so funny, because even though we might be adversaries in the film, we certainly weren't off-camera. He's a very funny guy.
Acting is a bit like being an athlete. You spend all your time getting ready to do something for two minutes. All the things that made my career in the movies happen took two or three minutes, which is the time that it takes for a 'take'. In that time, something happens. That's what people know you for, just like someone running the hundred metres.
Conclusions are based in time. We live in time. So any definition of success is bound up with time. With other things you can say, "Can I yo-yo? Can I juggle?" Usually you have a pretty small window in which to get your answer. Stand-up is different. You can't do stand-up for one night and say, "Am I a funny stand-up comedian?" In two months or two years you'll start to realize it.
When a man is shooting a handgun, it's just like he is shooting because that's his job, and he has no other choice. It's no good. When a girl is shooting a handgun, it's really something.
I don't use a Beatmap; I don't use any click track. Any time I count off, it's just in my heart. Sometimes I'll go off the feel of a crowd, like if they way they're bouncing is a little quicker than the song, I might kick up the tempo a little bit. I see where the crowd is at. It's nothing drastic, but all the tempos are from my internal clock.
If you're a night person you can barely get out of bed in time to get to work or get your kids off to school. You're at your most productive and creative much later in the day, and for you, something like getting up early to go for a run is not going to set you up for success because you're not a morning person.
The other night I went out to have dinner in a London pub and the barmaid had this whole conversation saying, 'You look just like that guy from Twilight'. Every time she came up, she said something like, 'You literally could be his brother'. But she never put two and two together.
As an actor, some of my favorite things to work on are night exterior scenes. Any time that we're on location and shooting at night, it's just magic. I got to do that so many times working on 'Vampire Diaries' that it filled my hat.
Literally, people probably came up with a budget and said, 'It'll be cheaper if we cut down the prep,' but it's not cheaper, because then you're shooting, you're fumbling through the movie and you are prepping at three times the cost because you're quadruple-time as you're shooting and then prepping after you're done shooting.
If you are using a digital camera specifically for that reason you have in mind from the beginning, then yeah, it'll work. But like if you're just shooting a normal film and just kind of just shooting extra stuff because you can because you've got the memory space, it's a bit pointless.
One thing I would say is that I think in any environment that you work in, there's always going to be one or two people who you don't like. But there just wasn't that on 'Games Of Thrones'. I know it sounds cheesy and cliched, but it was like a big family.
His mouth had been used as a latrine by some small creature of the night, and then as its mausoleum.
When 'The Godfather' comes on, any time of the day or night, I'm lost because I'm incapable of turning it off.
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