A Quote by Jim C. Hines
Any factual errors that remain are entirely the fault of Bob, who snuck into the offices at DAW to try to sabotage my book. I hate that guy.
Related Quotes
The French believe that all errors are distant, someone else's fault. Americans believe that there is no distance, no difference, and therefore that there are no errors, that any troubles are simple misunderstandings, consequent on your not yet having spoken English loudly enough.
In view of the fourteen incidents of sabotage and infiltration perpetrated in the past month alone, Israel may have no other choice but to adopt suitable countermeasures against the focal points of sabotage. Israel will continue to take action to prevent any and all attempts to perpetrate sabotage within her territory. There will be no immunity for any state which aids or abets such acts.
I think it's important never to look yourself up on Wikipedia. I think the temptation to correct any interesting factual errors would be too much.
Often we hate in others the thing which we fear in ourselves; or we hate because the other person raises to our consciousness some fault or inadequacy which we would prefer to have remain unconscious, and therefore without power to disturb our self-complacency.
It is assumed that when anyone gets into debt, the fault is entirely and always the fault of the lender.
Nature is entirely indifferent to any reform. She perpetuates a fault as persistently as a virtue.
The "Highway 61" album [of Bob Dylan] was produced by Bob Johnston if I'm not incorrect. And Bob Johnston was an entirely different producer than Tom Wilson. Tom Wilson had produced jazz records and was a Harvard educated.
While I have corrected agreed factual errors, I have not been inhibited from writing what I felt to be the truth about The Prince of Wales.
Of course, errors are not good for a chess game, but errors are unavoidable and in any case, a game without ant errors, or as they say 'flawless game' is colorless.
I don't think any good book is based on factual experience. Bad books are about things the writer already knew before he wrote them.
The same is true of ranking him thus against any work of literature. [Bob Dylan] has been made, through no fault of his own, the object of odious tokenism.
I never, ever want to apologize for a film. If it's bad I'll say it's my fault. And that's what I can say so far in all the films that I've done, that if you don't like it, it's entirely my fault.
How do you remember everything from different books when you are still writing the HP series? As obsessive fans will tell you, I do slip up! Several classrooms move floors mysteriously between books and these are the least serious continuity errors! Most of the fansites will point you in the direction of my mistakes. But the essentials remain consistent from book to book because the story has been plotted for a long time and it is clear in my mind.
My first program taught me a lot about the errors that I was going to be making in the future, and also about how to find errors. That's sort of the story of my life, making errors and trying to recover from them. I try to get things correct. I probably obsess about not making too many mistakes.
Sad to say, multi-tasking is beyond me. I read one book at a time all the way through. If I'm reviewing the book, I have to write the review before I start reading any other book. I especially hate it when the phone rings and interrupts my train of thought.
One of my friends was a stage hand at a Bob Dylan show in the mid-90s and I remember him telling me that somebody crowd surfed during the gig. And this friend of mine was an old punk rock guy - he was totally humiliated by it. But some of Bob's people were there and they said, "Oh, Bob will be so excited! This is the kind of energy we want at his shows." That's where the old school was at.
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