A Quote by Jim Capaldi
We played at a club called, the Elbow Room. Don Carlos, the nightclub owner, was very hip and a very important person who made a big impact on my life.
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Carlos, on paper, and Carlos, the guy who was in jail, is known to be a cultivated guy, the guy who handles big amounts of information, and for me, that was very important.
What I don't want to be is the most important person of the club. If we win a game, it was the players who played very well.
I take his [Theodore Geisel] legacy very, very seriously. I know others may disagree because he's made such an impact on so many people that response to work becomes very personal, so people will have different points of view. But, at the core of this, I take the protection and the extension of his legacy very, very seriously. It's a very important part of my life.
I played for Bologna in Serie A when I was 16, and those experiences made me this person. Just as importantly, I never played for a big club. My teams were normal, ordinary, but through hard work, we became successful.
While a lot of hip-hop was inspired by jazz or James Brown samples and was made to be played live in the clubs, I made hip-hop that was made for MCs to eat the mic up. It was an aggressive form of hip-hop. It was made just for hip-hop. It's not made to sing or dance to, though you can if you want.
I am very happy here at Liverpool. It's a very good club at a very high level - a big club.
It is very challenging to adapt to life at a big club like Madrid, but I'm not the kind of person to make excuses.
I haven't made many wedding dresses. It's a dress very, very important for the girl; it's important to know the person, I believe, but at the same time it should be a shock to the person - the person should be shocked to be suddenly revealed. That's the work of a designer sometimes, to propose an ID of look.
Russia is very important, Iran is very important, Hezbollah is very important. All of them are important. Each one made important achievements against the terrorists in Syria, so it's difficult to say who is more important than the other.
In Puerto Rico, we have a lot of traditions. We eat a very typical thing that's called 'pasteles' - it's almost like a tamale made of bananas, and we make it all together. Like, all the women of the family unite, and it's a very big deal, a very big thing.
Scale is very, very important, like the scale of a person is very important. It's to do with the size of our space, the fact they are big sculptures, they are still human scale.
I used to do this one club called New York Sound Factory where I played house, hip-hop, and dancehall. I was one of the first DJs in the South to play everything.
Bayern is a big club and a big brand, but on a daily basis, it's a family club. You get to know the physios, the kit man, the chefs. It's also a club that's very close to the supporters. That proximity to the fans makes it special. That was surprising. In Liverpool and Madrid, there's more distance.
Playing at Juventus is an important step in my career. It is a very big club.
In '57, I got a job at the Blue Angel nightclub, and a gentleman named Ken Welch wrote all my material for me. I lived at a place called the Rehearsal Club that was actually the basis for a play called Stage Door.
At this stage of my life I would rather try and have some small impact within a company and suffer through those things than make such a big stink that nobody can trust to work with you. It's very important in an environment of a big institution that people don't feel threatened that you're going to expose them in any way.
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