A Quote by Jim Capaldi

This kind of music was just hitting England, so we were getting this following in clubs in Birmingham just cause we were trying to do something different. — © Jim Capaldi
This kind of music was just hitting England, so we were getting this following in clubs in Birmingham just cause we were trying to do something different.
There is so much good music from our scene in the U.K., and I'm happy I'm part of that movement. For a long time, we were trying to do what the Americans were doing, we were trying to do what the pop stars from England were doing, and we just didn't understand.
I love music. I love every kind of extreme sort of music, and many different genres, and if I were to have to dedicate myself to just one kind of genre, I would feel kind of gypped. I'd be like, man, I wish I could do this or that. And really all it takes is trying it out.
I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.
I'm kind of lucky in the fact that I can take something that's in my head and write it down, or I can listen to a piece of music that somebody else has written and try to tap into what the music's saying and just kind of follow that, you know. I mean, nine times out of 10, I'm just kind of following where the music takes me.
Sometimes I'm trying to communicate a feeling. Sometimes I can't piece it together into any kind of coherant thesis. I'm just trying to evoke some kind of mood, and put some kind of idea in somebody's head. If Marshall McLuhan or Harold Innis were looking at it, they would tell you that the genre of rock music isn't the best way to deliver a political message because it distorts it, it makes it into entertainment. Perhaps the best political message is just to speak it to somebody. I think that's something I'm always writing about in songs, just how to mediate, how to present something.
Something else was different when we were young: our parents were outdoors. I’m not saying they were joining health clubs and things of that sort, but they were out of the house, out on the porch, talking to neighbors. As far as physical fitness goes, today’s kids are the sorriest generation in the history of the United States. Their parents may be out jogging, but the kids just aren’t outside.
My family wasn't involved in the college. They were more of just your 'white trash' kind of family. And so I have that kind of background, but I always kind of aspired to be something else, and I made a lot of different friends over the years that were passing through.
There were rumors in the air that all these different clubs were looking at me but I didn't know which specific clubs. No one told me anything. And then I got a message: 'Bayern Munich want to meet you.' I was like: 'Oh my god. Really?' It was both exciting and scary. I just had to prove to myself that I could compete at this level.
We Die Young is about gang violence. That was something that was happening in Seattle, something that kinda opened our eyes. It just seemed like things were getting out of hand. Incidents where kids were getting shot, and getting their tennis shoes ripped off their dead bodies. It just seems like these kids are dying at younger and younger ages and getting involved in gang activity.
For a while I was a completely unknown artist with no fan base and no draw in the clubs. The only people that would give me a shot were the gay clubs. Gay clubs were so open to me coming in and trying things out.
It's just become such a business, getting into college. I see that a lot in my friends, their parents were so on top of them about getting into an Ivy League school since they were so young, they were just drilled and drilled and drilled, to the point that they just don't know why they want to go.
What I saw over all that time were so many deals disappearing and producers disappearing, fewer movies getting made, and it just being a bit more difficult. Working with Joel, we were in a bit of a bubble because he was always making things that were working for the studio and that kind of thing. We were always in production on something.
I remember when I first got into the England side, going to meet ups where you were just doing a job, you were almost looking to go back to your clubs as soon as you arrived. That changed. The Lionesses got the feel of a club; it was a place you wanted to be, a set-up you couldn't wait to join.
What Bernie Sanders is talking about, which is trying to get back to a more perfect democracy, is something that we support, too. We just think that the idea of... wishing the rules were different and then pretending they were is something which, unfortunately, probably would be disastrous from the standpoint of energy and climate.
Just 'cause you're following a well-marked trail don't mean that whoever made it knew where they were goin'.
They wanted to play me central midfield when I was at Aston Villa, so that's why we left. Things were going good at Coventry, but then scouts from Manchester United and different clubs around England were watching me, and I don't think Coventry liked that.
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