A Quote by Jim Capaldi
After that, I specifically started writing lyrics. I would like sweat and think and get it all together.
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I started listening to The-Dream a lot. That's when I really got into writing songs. I like the way he put lyrics and makes his songs. So I was like, 'All right,' and I just started writing. That's when I started wanting to be a songwriter.
When I first started making music, I was pretty drawn to hip-hop beats wrapped together with super-good lyrics. The most important thing in that is wordplay, so that stayed with me when I started writing songs.
I mean, I knew that one day I'd do something writing-oriented as soon as I started writing. But when I started singing, I was determined to make those two work together, so I just worked at it until I started making stuff that sounded like music.
[Opetaia Foa'i] brought in the melody and the lyrics, but the lyrics were in Tokelauan, and so, we talked about what it could mean and whether this could be the ancestor song. So, I started writing English lyrics to sort of the same melody.
After each book, I get panicky. I don't love the reviews. I don't like going through all that, and you would think that, after almost 40 years of writing, I'd have got the hang of it.
When I first started writing, when I was 15, I would go to work with people and they would tell me my lyrics were too mature for my age!
I remember when I started writing lyrics, I was very grand. I tried to use a lot of symbols,because I thought that's how songwriting should be - with imagery and metaphor. I figured, after a while, maybe I should just write it as I would say in real life.
I would write down the lyrics to 'C.R.E.A.M.' in Korean - not translating it, but phonetically writing out each word. I didn't know what they were saying, so I would just write everything down as I heard it. I would recite it and imitate it like that. That's how I started to write my own raps.
I really think it's just the people you put around you. For instance, you mentioned "Kiss Goodbye," that was a song that was brought to me by Dan Couch and Dale Oliver. They had already started writing it without. They had put together this whole demo of music with no lyrics.
You can get into a comfort zone writing lyrics, like wearing a mask. But I wanted to feel uncomfortable when I was listening back to the lyrics; I wanted to squirm.
I wrote out the lyrics that I would do at MAMA 4~5 days in advance. After I said that, Zico hyung told me that it's dangerous to write lyrics quickly like that and that I should be carefully.
First we start with the lyrics. Most of the lyrics are done by Stefan Kaufmann and me. When we have enough lyrics and enough stories we have the lines to make titles. Then we collect all the ideas of everybody in the band and see which ideas fit together the best with the lyrics to get the right atmosphere. That's the way we compose.
'Despacito' started with a melody hook that I had with my guitar only. The beat for this track came after I wrote the lyrics, which I wrote as if I was writing a ballad.
I just started writing and writing for people. And then, like I guess after (a) year of getting some placements, I kinda got a shot to be an artist. Long story short I think, yeah.
I wasn't writing the music. Ed would write a piece of music. I'd listen to it and come up with a melody and then we would arrange it. We'd put it together and I would write lyrics to my melodies.
I would like to believe that most people don't get married anticipating divorce. When I reached that crossroad, I felt like such a failure. After years of therapy together, I realized that staying together was emotionally destructive.
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