A Quote by Jim Carrey

I have spiritual beliefs that I could literally go out and make an entire comedy routine about, and tour as some sort of spiritual guru, but it kind of goes against that [as] I actually believe the things, so I'm always kind of caught in the middle.
When I first started reading about the kabbalists, I would hear about them being seen in strange places. It would turn out that they were doing some kind of spiritual work to elevate the sparks. In my life and career, I've had the opportunity to find myself where I could make some spiritual moves, to do some work that is spiritually important.
Both my parents were agnostic. My mother was kind of a Buddhist. She had some spiritual tendencies, but they were kind of flaky - New Agey, you know? Which is partly why I'm suspicious of that sort of thing. I'm skeptical of any spiritual practice that doesn't involve other people and doesn't involve some sort of consistent tradition.
Ashrams and gurukulas (spiritual schools) are the pillars of spiritual culture. If we perform sadhana according to the guru's advice, we need not go anywhere else. We will get whatever we need from the guru.
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
My religious point of view is something I can't talk about. It goes against my belief system to talk publicly about my own spiritual beliefs.
Religious life is not going to go away. It will take a different form. Why am I so sure it's not going to go away? Because there are people whose personalities and gifts, and interests and soul, are simply immersed in living this kind of a spiritual lifestyle. That only makes sense. If you can live an artistic lifestyle, why can't somebody live a spiritual lifestyle? We've always, in every single great tradition, had a percentage of the population that stands in the middle of us being the beacon that calls us to realize that the spiritual life is an essential part of every life.
What I do is very spiritual to me. I can't really connect with things unless they are spiritual in nature, so I have to make acting spiritual for myself, and each role a spiritual journey for me.
It's questionable whether I believe in God or Jesus but I do believe in a spiritual world and some kind of afterlife.
In spiritual life, one must conduct one's whole life under the guidance of the guru. Only one who executes his spiritual life under the direction of the spiritual master can achieve the mercy of Krishna.
I can't really connect with things unless they are spiritual in nature, so I have to make acting spiritual for myself, and each role a spiritual journey for me.
If I don't have something to do, I'm not the kind of person who can sit on a beach on holiday. I've got to go and check things out and see things and look at things, and have some kind of itinerary in my mind. I think that a lot of people who are, in some ways, successful are kind of like that.
It is dangerous for a spiritual master to accept almost any aspirant. Although it is an aspect of mercy, it is dangerous. The danger also depends on the spiritual potency of the particular guru. Without sufficient potency, a few offensive or faithless disciples can lead to the guru's fall.
I have a feeling there is no ideal situation, unless she could go back in time and be 22 again. I think some of it is just kind of the shock of realizing that you're approaching middle age, or that you are middle-aged and kind of coming to terms with that in whatever incremental ways.
One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?
If I could have somehow been the kind of artist who could crank out two or three issues a year, that's different. That's sort of what it's all about, to get this thing out so that there's some kind of continuity. But to do a comic book every year or two was just so anti-climactic.
I do believe in ghosts, or at least in some kind of persistent spiritual echoes of the past in certain places.
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