A Quote by Jim Carrey
I love stories about teachers. For some reason I can't get enough of those kind of stories. If I turn a movie on about a teacher, I love it. I love that idea of an adult influence on kids.
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I love stories of female empowerment. I love stories of, "Hey, I'm an ordinary person." "No, you're not!" I love stories about not knowing you have it in you, but when called to task, you rise and you find out who you are.
Digression is my passion. I'm not kidding. I love telling the main stories, but in some ways, what I love most is using those narratives as a way of stringing together the interesting stories that people have kind of forgotten and that are kind of surprising.
I like the idea of not having a definition of love and romance. The greatest love stories have been about people who haven't come together. More stories like that need to be explored.
I fall in love with certain stories. Those stories tend to be connected to my life some way - for instance, with my first book I was writing about the experience of coaching Little League in the Chicago inner city. But the common thread tends to be exploring some kind of mystery. Simple questions that spiral deeper.
Well, religion has been passed down through the years by stories people tell around the campfire. Stories about God, stories about love. Stories about good spirits and evil spirits.
I'm drawn to stories about ordinary people who get tangled up in an extraordinary event or idea or emotion. I'm not saying I don't love films about super-people or super-doctors, but my preference is for stories about how we get through this life, what it is to be human, because I'm always struggling with it myself.
Digression is my passion. I love telling the main stories, but in some ways, what I love most is using those narratives as a way of stringing together the interesting stories that people have kind of forgotten, and that are kind of surprising. The problem is, how do you pare stories away so that the book doesn't become a distracting jumble of material, and readers lose focus? In my experience, there's really only one way to do that. I pack it all in with the rough draft, then count on myself and my trusted readers to tell me what's good and what's not good.
I love 'Love Actually.' 'Love Actually,' there's, like, nine stories in that movie. Three of them are good. But watching that movie, I get emotional, I get choked up, my wife makes fun of me. I don't know if as you get older you get sappier and sentimental.
I love the idea of getting to play different characters and tell some stories. When you're passionate about a project, it's nice to get the part.
Im drawn to stories about ordinary people who get tangled up in an extraordinary event or idea or emotion. Im not saying I dont love films about super-people or super-doctors, but my preference is for stories about how we get through this life, what it is to be human, because Im always struggling with it myself.
Some stories don't have happy endings. Even love stories. Maybe especially love stories.
I believe all stories are love stories, and there are kinds and kinds of love, so I will always write about love, but not necessarily romance.
I want to turn my attention to movies about love relationships. Exploring the female psyche - there ought to be some interesting discoveries there. Love stories. If you do it right, people want to hear romantic dialog.
I love stories with love in them. I just prefer those films. Every so often, I come across a film where there's no love story. It doesn't have to be romantic, but there's a lack of love, and I don't get that.
For reasons which I can't logically explain, in all of the films I've done, I've ended up doing love stories of one kind or another, and it seems to me that love stories are extremely dependent on the obstacles you can place between the lovers. There is no love story without it.
Before 'Fallen,' I'd written love stories and more love stories. I'd fallen in love with love stories - but they were also beginning to feel just a little bit too insular, too small.
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