A Quote by Jim Caviezel
I think you can't be passive in making this film - or in watching it.
Related Quotes
Nobody wants to be passive; indexing is not passive - much more goes into indexing than watching a stock become the next buggy whip.
Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.
To me, watching a movie is like going to an amusement park. My worst fear is making a film that people don't think is a good ride.
Reading a good comic is a creative act. Watching a film is often a more passive experience, and since I'm interested in engaging that conversational aspect of creativity, I'm trying to find ways of achieving that in my films.
I think that is so interesting. It is le Carré. There must be so much of him when he was younger. He's an interesting character. I don't want to say the word "passive" because there is something very active about the way he is passive, if that makes any sense: the nature of his watching and his listening is active. It is always so alive because he is, essentially, a spy.
During the entire process of making this film I never thought about whom I was making it for. I always thought that the film was for me, but I didn't think of any of that. I just did what I thought I had to do. I didn't think, "This is what children are going to think" or "This is what adults will understand."
I think, to go to the bottom of it all, that the films I have made and my kind of film-making is a hybrid type of film-making - in that it isn't American, it isn't Italian.
It's pretty inappropriate of fans to think they can expect any kind of narrative from showrunners or writers or actors. I just don't think that's the way you should engage with material that you're watching as a passive audience member.
Well, as far as film, either you're making a film or you're making videos. Digital capture is always trying to emulate the range and look of film. I believe personally that film has more.
The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
When we make a film like 'TWM Returns,' it is important that we don't think of bettering anything. It's like a baby being born: all you can hope for is the best. But you can't decide how the baby is going to look. Similarly with the movie - you can't think of making it better; you only can think of making the best film possible.
I went from silent films to watching French new wave cinema. I became entrapped by it all. That's when I knew I wanted to do film. The moment you start looking at film from a critique point of view - there's a difference between watching a film as an audience and with a critical point of view.
I'm terrified by young people who are doing what they think is film making. What they're really doing is taking that convulsed, fast rhythm of commercials. It's not film making.
I never want to make a film. I don't wake up in the morning going, 'Ooh, I'd really love to be on set making a film today'. I'm aware that other contemporary film directors perceive film-making as what they do, as what they have to do. But I would hope that I am more catholic in my tastes.
I think I'm a pretty cliché actor in that I hate watching myself on film. I don't know why it should be humbling to see yourself on film.
It's weird when you're watching yourself in a film - you can't really detach yourself from the experiences you've had that day. You're never watching the film as a proper punter.
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