A Quote by Jim Coleman

I'm just like you, only I'm different because I'm me. — © Jim Coleman
I'm just like you, only I'm different because I'm me.
Dad, I may not be the best, but I come to believe that I got it in me to be somebody in this world. And it's not because I'm so different from you either. It's because I'm the same. I mean, I can be just as hard-headed, and just as tough. I only hope I can be as good a man as you.
I have a few different managers, and one of them hit me up today and was like 'I'm going to set you up with these guys doing beats and such...' I was like cool, as long as I can do what I do. Just because kids are going like this now, I'm not going to do that because I am not 18 years old. I'm not going to rap like I'm in grade three because it's popular. I'm just not going to do that. It's not because I'm being stubborn, and I definitely not that guy that is getting older and does not understand the younger generation.
For the camera, I like the feeling of changing into different characters. Even though I'm not acting, I still have to be someone different to show the product. If I'm not being someone different, I won't find it fun. I love the shows because it transforms you into a different person. Not Malaika - it makes me someone else. Naturally, I'm quiet and crazy. But when they give me an outfit, like a very elegant outfit, it transforms me into this beautiful woman - I can feel it inside me. I like that, playing different characters. I'm really interested in acting.
I want to be different. Just like all the other different people I want to be like. I want to be just like all the different people and assert my individuality along with others who are different like me.
When I do interviews, sometimes I'll just be like "Why the hell did I say that?" because after I hang up the phone I realize there were so many things I could have said, but my brain just goes on lockdown. There's something about having conversations with people that's so much different from just singing and playing guitar. And I think a lot of people are actually performers because of that. I can't really explain why. It's like just the only chance you have in life to feel really good and outgoing.
I just think that the gifts that God has given me and the attention that I have, I just don't feel like acting is the limit of it. I just feel like there's so much more that I could do...And, you know, every day I wake up and I try to do a little more and I just want the world to be different and better because I was here.
I'll wear little dresses for a look and then it'll become only shorts for a while or only t-shirts for a while. So I go through different phases but I combine different things. I don't like things that draw too much attention. It's usually just things that complement me and aren't too loud.
The hardest thing is being with other people — it's like they're on a different wavelength, but only you know it. They talk about their lives and what's wrong with them, and you kind of, like, just let them go. It's a whole different language, and you've got to remember that you can only respond in their mother tongue. It's really hard to relate.
It's a creative enterprise, just like art, just like painting, music. Creating something can be done in different categories, so to do it in film is just another expression, which is great. Because it translates so well because so many people see the work, if you're lucky.
I don't believe you can get into somebody's character but more that somebody comes in you. You just use yourself. In everything I play, I feel like it is me. I just say different things on different times and look different.
You can't just make me different, and then leave. Because I was fine before, Alaska. I was just fine with me and last words and school friends, and you can't just make me different and then die.
Because what's the use of learning that I am one of a long row only - finding out that there is set down in some old book somebody just like me, and to know that I shall only act her part; making me sad, that's all. The best is not to remember your nature and your past doings have been just like thousands' and thousands', and that your coming life and doings'll be like thousands' and thousands'.
I remember somebody had said to me "What're you doing with a movie like Boiler Room? It's all men and you're a woman. You should be making romantic comedies," or something like that. Boiler Room, for me, was a morality tale. I remember this interview where they said to me "Yeah, but all the characters are men," and I was like, "But I'm a girl, I like men!" It's not like there's nothing interesting to me just because a lot of characters in that movie happen to be male. Just because I'm a girl doesn't mean I only wanna make Must Love Dogs over and over again.
I grew up in my neighborhood with salsa, of course bachata, but also hip-hop, Nirvana - it was just like a mixed culture. It was a beautiful thing for me because at the moment I started creating music, having all these different sounds and elements, it was very organic because I grew up with all these types different music.
I think people have a different image of me because, you know, they portray me with the idea that models are stupid and dumb; like, 'She can just be a model because she can just be a model - she's dumb and she can't do anything else.'
I don't do my show for critics. Early on I did, because I'm a nice guy and I like to be liked by everybody, and I thought, "Hey, I'm just making people laugh, what's the big deal?" There have been all different types of comics that appeal to all different types of people. Why rail on me? But yeah, they really don't like Southern acts.
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