A Quote by Jim Coleman

Then I took 8 years of French Horn, first jazz, and then classical. — © Jim Coleman
Then I took 8 years of French Horn, first jazz, and then classical.
When I was nine years old, I started playing guitar, and I took classical guitar lessons and studied music theory. And played jazz for a while. And then when I was around fourteen years old, I discovered punk rock. And so I then tried to unlearn everything I had learned in classical music and jazz so I could play in punk rock bands.
I started off with the flute and French horn, and then I was playing trumpet in the jazz band.
I took about four or five years of French in high school, but I definitely don't speak French as well as I thought I did then.
I was co-editor of the magazine called The Jazz Review, which was a pioneering magazine because it was the only magazine, then or now, in which all the articles were written by musicians, by jazz men. They had been laboring for years under the stereotype that they weren't very articulate except when they picked up their horn.
I'm a jazz musician in that I have achieved Grade 3 on the French horn.
I held the title for almost eight years the first time and then I lost it at the Garden. But, then I came back and took it again for another four years.
When I went to college, I thought I was going to become a professional musician. I was a French horn player, so I went to Yale to study with a very unusual French horn player.
I got into trad jazz, then modern jazz, then avant-garde jazz, between the ages of 16 to 18.
When coal came into the picture, it took about 50 or 60 years to displace timber. Then crude oil was found, and it took 60, 70 years, and then natural gas. So it takes 100 years or more for some new breakthrough in energy to become the dominant source.
Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation.
I started off with classical music, and I got into jazz when I was about 14 years old. And I've been playing jazz ever since.
I was like just writing and writing and then I kinda developed my sound. And then, my managers were like, "Okay, we're gonna try to get a deal." And then first it was Interscope, and then it was Atlantic. And then, I ended up signing with Atlantic, but it was like a long process, a really long... it was A LONG PROCESS. I feel like it took me two years to do it.
If Music is a Place -- then Jazz is the City, Folk is the Wilderness, Rock is the Road, Classical is a Temple.
I first started playing the violin at 6. And then at 7, it was piano. So from then it was just classical music like every day.
I played French horn, and I certainly do miss it. I miss it. I wish I had the time to keep up with it. It's like exercising: You have to keep it up, especially the muscles in your lips to deal with the French horn.
I don't mind being classified as a jazz artist, but I do mind being restricted to being a jazz artist. My foundation has been in jazz, though I didn't really start out that way. I started in classical music, but my formative years were in jazz, and it makes a great foundation.
This site uses cookies to ensure you get the best experience. More info...
Got it!