A Quote by Jim Crace

I'm a matter-of-fact, office-hours writer. — © Jim Crace
I'm a matter-of-fact, office-hours writer.
When I'm concentrating, I can be fixed in place for hours. In fact, there was a joke in my office that everybody would come and chat outside my door because they knew - no matter how loud they talked - if I was concentrating, it would not disturb me at all.
If I just want to 'start a conversation,' I don't need to run for office. As a matter of fact, it could be argued that many people are more open to hearing you if you're not running for office.
Sometimes the difference between two candidates is an important one in the immediate sense, and then I believe trying to get somebody into office, who is a little better, who is less dangerous, is understandable. But never forgetting that no matter who gets into office, the crucial question is not who is in office, but what kind of social movement do you have. Because if you have a powerful social movement, it doesn't matter who is in office.
I would still like to have that luxury, to be able to just sit and draw for hours and hours and hours. In a way, that's what I do as a writer.
I'm a method writer. In order to write about the emotion, I have to experience it. I get physically tired and exhausted, devoting hours and hours and hours to it.
I consider myself to be first and foremost a comic writer. The way I entertain myself - especially in those long and grim hours in the office - is to write stuff I find funny.
I write two hours in the morning and two hours before bed no matter. No matter what. I also write during the day if I have to get something down, but the four hours a day is the one thing in my life I don't fool with.
A writer's subconscious is one of the filthiest places there are: as a matter of fact, you can find the whole world there.
The simple fact of the matter is, as I know everyone in this room knows, that the recession that this country faced when this President took office was the worst since the Great Depression.
I play a lot of instruments. I write all my own music. I spend hours and hours a day in the studio. I'm a producer. I'm a writer.
There is nothing harder to estimate than a writer's time, nothing harder to keep track of. There are moments—moments of sustained creation—when his time is fairly valuable; and there are hours and hours when a writer's time isn't worth the paper he is not writing anything on.
I have a lot of friends and fans in Canada and as a matter of fact I met a fan from there that came down to my office. It was nice and we took pictures and had a nice talk.
I allegedly am an outsider writer, so I write from the perspective of somebody who doesn't completely fit in. But at the same time, I can state the fact that I don't know of any good writer who is not an outsider writer.
At Netflix, we think you have to build a sense of responsibility where people care about the enterprise. Hard work, like long hours at the office, doesn't matter as much to us. We care about great work.
Here's a pointer culled from the careers of men who have attained notable success: Don't sit in your office during the hours prospects can be seen. Do your office work before or after the hours during which possible customers can be reached. This may mean adding an hour or two quite often to your day's work; but in times like this particularly, the securing of a satisfactory amount of business through the expenditure of an extra hour or two a day is not an unreasonable price to pay.
The office of the prince and that of the writer are defined and assigned as follows: the nobleman gives rank to the written work,the writer provides food for the prince.
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