A Quote by Jim Crace
For all the splendours of the world's greatest galleries, visitors are likely to be kept at arm's length, spectators of a world that can seem too rarefied to let them in.
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As a general rule, fans and idols should always be kept at arm's length, the length of the arm to be proportionate to the degree of sheer idolatry involved. Don't take a Beatle to lunch. Don't wait up to see if the Easter Bunny is real. Just enjoy the egg hunt.
I'm very wary of fawning too much over heroes. There's an old adage that heroes are best kept at arm's length, and in a few instances in my life, that's been true.
I think Queen tribute bands are great. However, we have to keep them at arm's length, otherwise it could be too dangerous.
Sometime when I was in my mid-twenties I noticed, "Hey, even I don't go into too many art galleries. Why? Because I don't like the vibe in them. If even I'm not going into galleries, then who goes into art galleries in the first place?" It's just a certain, very narrow percentage of the population.
Were I to make the announcement and to run, the reasons I would run is because I have a great belief in this country [America]. ... There's more natural resources than any nation in the world; the greatest education population in the world; the greatest technology of any country in the world; the greatest capacity for innovation in the world; and the greatest political system in the world.
The last time money left the art world, intrepid types maxed out their credit cards and opened galleries, and a few of them have become the best in the world.
Obviously I'm not the greatest scorer in the world or the greatest shooter in the world, but I'm tough and rebounding is something that not too many people want to put the effort into doing.
One particular aspect of Siddhartha’s revelation of the outside world has always struck me. Quite possibly he lived his first thirty years without any knowledge of number. How must he have felt, then, to see crowds of people mingling in the streets? Before that day he would not have believed that so many people existed in all the world. And what wonder it must have been to discover flocks of birds, and piles of stones, leaves on trees and blades of grass! To suddenly realise that, his whole life long, he had been kept at arm’s length from multiplicity.
In China, I realized that if you visit often enough and learn the language, you will be assimilated, but you'll still be kept at arm's length; you'll always be looked on as a foreigner.
The very greatest genius, after all, is not the greatest thing in the world, any more than the greatest city in the world is the country or the sky. It is the concentration of some of its greatest powers, but it is not the greatest diffusion of its might. It is not the habit of its success, the stability of its sereneness.
I came to Berlin not to visit its museums and galleries, its operas, its theaters... but for the sake of seeing and speaking with the world's greatest living man - Alexander von Humboldt.
There was a kind of cultural life in New York that wasn't as solidified as it is now, it wasn't as money-driven. If you look at the size of the successful art galleries compared to the size of galleries now - there was no such thing as the Gagosian Gallery or Pace Gallery. But it was a time when magazines were a vital part of American life, and Esquire gave me a free pass to every world - I could get to the art world, the theater world, the movie world. It allowed you to roam through the cultural life of New York City.
Actors are steeped in a world of agents and where the next job is coming from and what are their expenses and what is the hotel like. You want to take them out of that world and dump them into another world, so that when you meet them on the screen they don't seem like the guy who was in two others movies that year.
Fashion went from being much more rarefied to being more accessible. Now everything is changing in the art world, too: even the highest level of institutions are becoming more aware of the general public, like the McQueen exhibit at the Metropolitan or the Tim Burton at the MoMA or how the Gagosian does historic Picasso shows, bringing museum quality into a gallery. Galleries are becoming more like museums, and museums are becoming more accessible. In the next decade, I think it'll be blown open: there will be a lot of shifting around in terms of how artists approach their work.
There are many foolish people in the world and when a man in a rather high position puts on no frills, slaps them on the back, and tells them he'll do anything in the world for them, they are very likely to think him clever.
New York is one of the greatest cities in the world. It is a fitting host to its many international visitors, who can come to witness first-hand what a vibrant multicultural democracy looks like.
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