A Quote by Jim Crace

Inside, Penlee House is without pretension. It is a space that knows its limitations and its strengths - and makes the most of them. — © Jim Crace
Inside, Penlee House is without pretension. It is a space that knows its limitations and its strengths - and makes the most of them.
My limitations make space for the gifts of other people. Without the grace of our limitations we would be isolated, dry, and insufferable creatures indeed.
Superhero science has taught me this: Entire universes fit comfortably inside our skulls. Not just one or two but endless universes can be packed into that dark, wet, and bony hollow without breaking it open from the inside. The space in our heads will stretch to accommodate them all. The real doorway to the fifth dimension was always right here. Inside. That infinite interior space contains all the divine, the alien, and the unworldly we’ll ever need.
We join spokes together in a wheel, but it is the center hole that makes the wagon move. We shape clay into a pot, but it is the emptiness inside that holds whatever we want. We hammer wood for a house, but it is the inner space that makes it livable. We work with being, but non-being is what we use.
Marriage is not a natural phenomenon. It is artificial, arbitrary. And when it disappears you cannot do anything to bring it back. You can pretend, but that pretension makes you a hypocrite. And your pretension cannot deceive the woman, because she has known your love and the pretension cannot become the substitute. The only way is to separate - in friendship, because you have given each other so much.
I think thing that makes Batman so endlessly interesting is that he's one of the most flawed and deeply human characters, even though he seems completely the most inhuman and infallible in costume. Psychologically he's one of the most complicated in both his strengths and his weaknesses. For me, one of his great strengths and weaknesses is that confidence. His emotional self-protection is one of the things that makes him heroic and sacrificing; he doesn't have a personal life. He sacrifices those to be the best hero he can be.
I define a good person as somebody who is fully conscious of their own limitations. They know their strengths, but they also know their shadow - they know their weaknesses. In other words, they understand that there is no good without bad. Good and evil are really one, but we have broken them up in our consciousness. We polarize them.
I define a 'good person' as somebody who is fully conscious of their own limitations. They know their strengths, but they also know their 'shadow' - they know their weaknesses. In other words, they understand that there is no good without bad. Good and evil are really one, but we have broken them up in our consciousness. We polarize them.
Fate knows all about you, it knows your fears and your weaknesses and your confidences and strengths, and it can be ready for all of them when it decides that the time is right. It can move you like a pawn in a terrible game of chess, sacrifice you for the good of others, drop you from a building you should never have been inside, give you a disease that no one has ever heard of. Luck and chance are impartial. Fate is active. It picks on people. Almost as if it thinks about things too much.
Haven’t you heard of the music of the spheres?” asked the dragon. “It’s the music that space makes to itself. All the spirits inside all the stars are singing. I’m a star spirit. I sing too. The music of the spheres is what makes space so peaceful.
I try to use my privilege to deconstruct from inside the racist, homophobic, heterocentric house, as an ally, while compatriot tools dismantle the patriarch's house. I do this by pushing the boundaries of what makes a poem and what makes an essay. My tools are blur, cross, pulverize, confront, remember.
One asana is strong, then again another is very soft and gentle. So you have this modulation from one asana to another, just as you have from one feeling to another. Then they all, of course, make you lighter, give you space. I feel that space is what I get and receive and like to have - space inside which makes more space for openness outside.
You work enough with someone and you develop a shorthand. You know how he likes to work through the day and he knows where you're vulnerable and where your weaknesses and strengths are, so it makes for a good team, a team that knows who's over there behind your back.
Painting is a lie. It's the most magic of all media, the most transcendent. It makes space where there is no space.
It is not the feeling sure of a doctrine (be it what it may) which I call an assumption of infallibility. It is the undertaking to decide that question for others, without allowing them to hear what can be said on the contrary side. And I denounce and reprobate this pretension not the less, if put forth on the side of my most solemn convictions.
Pretension may sit still, but cannot act. Pretension never feigned an act of real greatness. Pretension never wrote an Iliad, nordrove back Xerxes, nor christianized the world, nor abolished slavery.
The format's limitations are its strengths. We can't show you the monster, but why would we want to? Your imagination is a darker and scarier place than anything that can get generated on a computer. Asking the audience to use their imaginations makes it a much more personal and interactive experience.
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