A Quote by Jim Crace

I offer detailed but mostly invented narratives about the provenance of my books. — © Jim Crace
I offer detailed but mostly invented narratives about the provenance of my books.
When I first decided I wanted to be a writer, when I was 10, 11 years old, the books that I loved obviously and openly fit that description: They came with maps and glossaries and timelines - books like Lord Of The Rings, Dune, The Chronicles Of Narnia. I imagined that's what being a writer was: You invented a world, and you did it in a very detailed way, and you told stories that were set in that world.
There are a lot of mysteries about quantum mechanics, but they mostly arise in very detailed measurements in controlled settings.
I'm reading "The Sunset of a Splendid Century" by W.H. Lewis. He was C.S. Lewis's brother. He wrote two books about the French court of Louis XIV that are incredibly detailed. They are books that on every page you say, "Wow, think of that."
Generally, I start by observing the existing and popular narratives in my social spheres and media, and the pressures I face in my own life experiences. As someone who is "newly" trans, I am constantly thinking about what the dominant narratives are around transness, how my work can push against these narratives, and how it already falls into these traps.
I'm mostly drawn to narratives that are difficult for me to visualize.
History is an account, mostly false, of events, mostly unimportant, which are brought about by rulers, mostly knaves, and soldiers, mostly fools.
I inhaled books. I loved Classics Illustrated comic books. These were books that I could afford to buy after I turned in pop bottles for change. 'The Prince and the Pauper,' 'Robinson Crusoe,' 'A Journey to the Center of the Earth.' Male narratives filled with adventure and self-discovery.
There were a lot of things I loved about working in a library, but mostly I miss the library patrons. I love books, but books are everywhere. Library patrons are as various and oddball and democratic as library books.
I couldn't have invented crisps. ... I don't really want to be known as the man who invented crisps. ... I invented apples. ... I invented pandas, and caps. I invented soil.
My role in the government was not to think about narratives and consistency with narratives, but think of the human consequences of rules.
We invented marriage. Couples invented marriage. We also invented divorce,mind you. And we invented infidelity,too, as well as romantic misery. In fact we invented the whole sloppy mess of love and intimacy and aversion and euphoria and failure. But most importantly of all, most subversively of all, most stubbornly of all, we invented privacy.
I write mostly as a director. That's why my screenplays are very detailed. So I get into the images I see. I like that.
I believe in broken, fractured, complicated narratives, but I believe in narratives as a vehicle for truth, not simply as a form of entertainment, though I love entertainment, but also a way of conveying what needs to be conveyed about the works that I care about.
The founders of Snapchat last year turned down a $3 billion offer from Facebook and a $4 billion offer from Google. It was a surprising show of integrity from the guys who invented the app that lets you look at pictures of boobs for five seconds.
Within neoliberal narratives, youth are mostly defined as a consumer market, a drain on the economy, or stand for trouble.
I'm very strict in my belief that non-fiction should be truthful, and fiction is for invented narratives.
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