A Quote by Jim Cramer

I may play a total madman on TV, but I'm really just a very unbalanced guy at home. However, when it comes to stocks, I believe in being rigorous and methodical, not crazy. There's no madness to my method.
He may be mad, but there's method in his madness. There nearly always is method in madness. It's what drives men mad, being methodical.
Here's what happens in a play. You get involved in a situation where something is unbalanced. If nothing's unbalanced, there's no reason to have a play. If Hamlet comes home from school, and his dad's not dead and asks him if he's had a good time, it's boring. But if something's unbalanced, it must be returned to order.
If you know how to value businesses, it's crazy to own 50 stocks or 40 stocks or 30 stocks, probably because there aren't that many wonderful businesses understandable to a single human being in all likelihood. To forego buying more of some super-wonderful business and instead put your money into #30 or #35 on your list of attractiveness just strikes Charlie and me as madness.
I don't think the scientific method and the science fictional method are really analogous. The thing about them is that neither is really practiced very much, at least not consciously. But the fact that they are methodical does relate them.
What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview. The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit.
People went crazy with tulip bulbs. They went crazy with the South Sea Bubble, they went crazy internet stocks, they went crazy with the uranium stocks back when I was first getting started.
As long as you have markets, you'll have excesses. People went crazy with tulip bulbs. They went crazy with the South Sea Bubble, they went crazy internet stocks, they went crazy with the uranium stocks back when I was first getting started. I mean, you know, you're not going to change the human animal. And the human animal really doesn't get a lot smarter.
I'm just being myself. I'm not a very complex guy; I'm not a very studious, crazy intellectual guy. I'm just a guy.
It bothers me when I hear these reporters and jocks get on TV and say: 'Oh, no guy can come out in a team sport. These guys would go crazy.' First of all, quit telling me what I think. I'd rather have a gay guy who can play than a straight guy who can't play.
I really wanted to do a deep-dive into the idea that women are always called 'crazy,' and we are painted with such broad strokes because it's so easy to stereotype women and write them off. I got tired of that, and I wanted to explain: We are not crazy. There's a method to our madness.
I feel like it's really important for an actor to play different roles so people can see, "Oh, he can play that guy or he can play this guy." You're not just "THAT guy," that cowboy guy, that whatever guy. Then you are limiting yourself.
Magic is crazy. He is that crazy wild guy on the basketball court that is very intense and very serious. He is the guy who lives and eats and breathes basketball. Magic is a guy who would stand for nothing but winning and really prepared himself as well as he prepared his team. Earvin is the complete opposite.
The way I've described Helen's sort of rigorous honesty I just think he also has tremendously. It's very strange... he just has this sort of way of making it happen really. You're not really aware of being directed, so much as being a part of this thing.
A patient, methodical sort of madman. The worst kind.
The creative genius may be at once naive and knowledgeable, being at home equally with primitive symbolism and rigorous logic.
The madman theory is that you can be a successful deterrer if you - if they think you could be crazy. And so I think it can be very effective, so long as you're not actually crazy.
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