A Quote by Jim Davis
Cats are anthropomorphised in art because they are so laid back that you automatically attribute human thoughts and feelings to them.
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It occurred to me that cats were being held back a little bit. I thought, 'I'll give the cat human thoughts and feelings but not be apologetic for it. That would be very catlike.'
Where is the boundary between your thoughts and feelings and my thoughts and feelings? Where does it end - the outer layer of epidermis? If you look at the body as energy - not matter - maybe there's a possibility we as human beings are more connected to one another than we realize.
It doesn't matter whether your thoughts and feelings are good or bad, you are giving them out, and they will return to you as automatically and precisely as an echo returns the same words you send out.
Every work of art causes the receiver to enter into a certain kind of relationship both with him who produced the art, and with all those who, simultaneously, previously, or subsequently, receive the same artistic impression. Art is a human activity- that one man consciously by means of certain external signs, hands on to others feelings he has lived through, and that others are touched by these feelings and also experience them.
Cats are too independent. They piss me off. They play when they want, and then they turn their back on you. Dogs, you throw the ball, and they bring it back, tongue hanging out, tail wagging. Cats are like "Not right now, too busy." Definitely a dog man. Except when it comes to cleaning up after them! Cats win that!
Art is a human activity consisting in this, that one man consciously, by means of certain external signs, hands on to others feelings he has lived through, and that other people are infected by these feelings, and also experience them.
The art of writing is not, as many seem to imagine, the art of bringing fine phrases into rhythmical order, but the art of placing before the reader intelligible symbols of the thoughts and feelings in the writer's mind.
In a sense, human beings are human beings. Their feelings of aloneness, of brokenness, their feelings of hurt and disappointment, are universal. It's the ways they choose to act on their feelings that separates them.
All art is fundamentally subversive, because it upsets people's perceptions, their notions about society. Therefore, art is dangerous, but good art is always making us reassess our thoughts and feelings about how we relate to other people. There are always people who fear that and want to suppress that.
Art is not and never has been subordinate to moral values. Moral values are social values; aesthetic values are human values. Morality seeks to restrain the feelings; art seeks to define them by externalizing them, by giving them significant form. Morality has only one aim - the ideal good; art has quite another aim - the objective truth... art never changes.
Some people automatically associate morality and altruism with a religious vision of the world. But I believe it is a mistake to think that morality is an attribute only of religion. We can imagine two types of spirituality: one tied to religion, while the other arises spontaneously in the human heart as an expression of love for our neighbors and a desire to do them good.
The abstract music is just more interesting because it doesn't really have anything to say, but if it is good, it creates thoughts and feelings, and I enjoy that. For me, once the music creates those thoughts and feelings, I begin to write a song about it.
Cats, for the most part, seem indifferent to human activities that do not revolve around their needs and wants. They all but roll their eyes at the owners who expect their cats to do things for them.
It is not proper to project our feelings onto things or to attribute our own sensations and passions to them. Can it also be improper to see in them a guide, a way of life? To learn the art of remaining motionless amid the agitation of the whirlwind, to learn to remain still and to be as transparent as this fixed light amid the frantic branches this may be a program for life.
I think that one of the things is that, if you are going to decide to be a painter, you have got to decide that you are not going to be afraid of making a fool of yourself. I think another thing is to be able to find subjects which really absorb you to try and do. I feel that without a subject you automatically go back into decoration because you haven't got the subject which is always eating into you to bring it back - and the greatest art always returns you to the vulnerability of the human situation.
I believe that the making of art is primarily for the benefit of the artist. If what the artist has created communicates messages and feelings to others, then it is because of the universality of the human experience that is speaking through the work of art.
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