A Quote by Jim Davis

Usually I commit to something in my head and then I start drawing. — © Jim Davis
Usually I commit to something in my head and then I start drawing.
One drawing demands to become a painting, so I start to work on that, and then the painting might demand something else. Then the painting might say, 'I want a companion, and the companion should be like this,' so I have to find that, either by drawing it myself or locating the image.
I grew up with a pencil. A pencil was my computer at the time and so drawing, drawing, drawing and the tools of drawing where the usual ones and eventually then you graduated from the tools when the work increases and you start to draw by freehand as precise as possible and as accurate as possible, and I was pretty good at that.
I find that I'm constantly drawing. Even when I'm on holidays or when the baby's sleeping, I'll just start doing some automatic drawing, something like that, and then it will turn into a piece, even though I thought I was just doodling.
I actually start drawing things. Usually they're abandoned before I commit too much time and effort.
I just get silly inside my head and I start to think about something and in my head I start twisting it around, contorting it and envisioning it in different ways.
Don't wait for perfect. Don't wait for something to be fully formed in your head to start on it. Just start, and then work it out as you go.
When I'm drawing a bottle or a town or a market, I transport myself there. So I start drawing everything that I'm looking at while I'm there. Here's a guy selling the meat, and he will have a hook, and you start adding things, and it's a lot of fun.
With every song, all the elements have to work. First, the beat has to be great - you start there. You start with the music, and then the ideas follow. Then you start thinking of rhymes, and then you record it, and sometimes - this happens to me a lot - it doesn't come out as good as it did in my head when I first wrote it.
As long as Muslims cross this red line - if they commit crimes, if they start beating up women, if they start the genital mutilation, if they start to commit other crimes and honour killings as they unfortunately do in Western Europe many times - if they do that, I believe we should expel them, the same day if possible, from our country.
I always start drawing any job by planning out to some degree the locales and trying to nail the characters. If they're existing characters, I'll draw them several times on rough paper just to get a feeling for them. The ideal when you're drawing a comic is to have everything in your head, not to have to refer to notes.
You must be really bad, because it is a puzzle. Creating anything is hard. It’s a cliché thing to say, but every time you start a job, you just don’t know anything. I mean, I can break something down, but ultimately I don’t know anything when I start work on a new movie. You start stabbing out, and you make a mistake, and it’s not right, and then you try again and again. The key is you have to commit. And that’s hard because you have to find what it is you are committing to.
Sometimes, you start with the drawing and then the gag comes to you in the middle of it. That is when you start working on the solution of the gag, which is composition, placing, equilibrium, and character design.
It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character.
The important thing is to keep on drawing when you start to paint. Never graduate from drawing.
I think the most important thing you can do is to keep drawing no matter what. And to not be afraid of drawing whatever interests you. If there is something that you want to draw, to make, then I think you should pursue it and not let anybody tell you that you can't do it.
What happens if you start drawing squares? Well, I'd say the answer to that is, don't get famous for drawing circles.
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