A Quote by Jim Dickinson

I haven't seen a lot of young producers who work the floor in a traditional way. — © Jim Dickinson
I haven't seen a lot of young producers who work the floor in a traditional way.
There are a lot of producers and people in the music industry who take credit for the work of others when it's not actually their work. Especially big producers - they have a song that's written by one guy with a produced mix by someone else and then it's sung by someone else.
It can really vary from movie to movie what the producer's role is and there are all kinds of producers. There are line producers who do a lot of the nuts and bolts work on the set.
With acting, I felt like I had a lot to prove because I didn't study it; I didn't work my way up in a traditional sense.
I was very fortunate to have a coach when I was young who taught me all the traditional shots and taught me a pretty traditional game style, in a way.
You can't do traditional work at a modern pace. Traditional work has traditional rhythms. You need calm. You can be busy, but you must remain calm.
In England, there's a lot of people producing their own work and becoming producers and filmmakers, so they're not constantly waiting around. It can be very scarce for work, so it's important to create the work.
I've been working in Hollywood for a long time now in many different aspects in front of the camera, behind the camera, and I've worked with top executives, presidents of networks. I've worked all around. I see energy and what's around these studios and a lot of these offices. You don't get the high positions in these companies if you don't take advantage of other people in some way. I've seen that around. I've seen that around the studios, whether it's producers or whoever. Egos are there. Greed.
When I first started, I wrote some songs with Linda Perry. She's so instrumental in a lot of artist's lives, listening to you and then helping you write songs that are you, that bring the most of what you are out, whereas a lot of producers might put their stamp on you. I gained confidence because I'm less of a straight-up, traditional vocalist.
For 'Filth,' we had about 12 producers on the thing. The opening credits go on for months. Most of them are actually financers rather than producers. And the only way that we could raise the budget without interference from a studio was to have a lot of different financers on board.
There are so many things we have not seen in 'Spider-Man' yet... I want to use bad guys never seen in movies. The first films were so traditional and so scrupulously followed the character's classic plot... So there's a lot of stuff left in stock. 'The Clone Saga,' for example.
You had to knock the doors of the great directors and producers; of course I needed the work and was desperate for work. I remember one of the producers saying, we have R.D. Burman, we have Laxmikant-Pyarelal, we've got Kalyanji-Anandji with us, why should we take you?'
What I would tell young producers is if there is someone out there who can help you, then go work with that person.
I spend a lot of time talking to young and emerging producers on Twitter, feeding back thoughts and encouraging them.
I started making original music during my YouTube process. And as a young female, dealing with a lot of male producers who were older and had more so-called experience, they would discourage me, telling me that what I was doing - and even my vision - was never going to work. And that lasted quite a long time.
They're making a movie about Barack and Michelle Obama's first date, called 'Southside With You,' and the producers say they've already cast someone to play young Barack Obama. Now, I'm not saying the president has aged a lot but that young actor is Morgan Freeman.
I do chores around the house, but I don't get an allowance for them. I wash the dishes and sweep the floor... I'm sweeping the floor quite a lot, and my mum always expects me to get a broom and swagger it across the floor all the time.
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