A Quote by Jim Gaffigan
You ever mix two different groups of friends? That can be stressful. You always feel like you have to prep 'em. You're like, "These people over here, uh, they don't think I drink. And don't be thrown by my British accent."
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They say the shoe can always fit, no matter whose foot it's on. These days feel like I'm squeezing in 'em. Who ever wore 'em before just wasn't thinking big enough, I'm about to leave 'em with 'em
I like to think my accent isn't strong enough, but it's funny: I get people coming up to me in America and saying I sound like Mel B. She's from Leeds. They just hear a British accent and probably can't quite work it out.
Well, the difference in working with the Supremes and the other girl groups like Martha and the Vandellas, and the Marvelettes, you let the material dictate to you, uh, really, how you worked with the group, and with the talent, and the personalities. All of these things was instrumental in having all of the groups, uh, retain their own identity. Uh, and, and the material had a lot to do with it, you know.
I get that question almost more than any other. Once people feel a little comfortable, they're always like, 'So, what, uh, uh, what, um, what's your ethnicity?'
I enjoy the physicality a little more, with Vinnie Paz [in Bleed for This] that was the most prep I've ever had to do for a film, that was a legit like 7 months of diet and working out. And then I was able to do like an accent, I was able to change myself physically, I was able to do a lot of the things that I'd always looked at actors and admired when they did that. So I was excited to do that.
That could sound arrogant, I guess, but sometimes I feel like I have a bit of a Zelig thing. I'll blend in wherever. I'm from the South, so I'll have a Southern accent when I'm home. But if I'm up here in New York, I have a British accent.
Let me get one thing straight; I'm not an authority on sex, I'm more of a fan. I think sex is nice; no family should be without it. Of course, there are other things that are just as important as sex, like uh . . . like uh . . . like . . . uh . . . well, I'll think of it later.
Because I feel like I can do so many different things, and people like my music for different reasons, I don't feel pigeonholed. I think people are always going to appreciate whatever direction I take.
Sometimes I think, 'Maybe I could have a drink or two.' But then I think about it, and I just don't want to. It's just not in the cards. I know what I feel like now that I don't drink. I know what it feels like not to be hungover, trying to put my legs on.
I like to act in films, I like to shoot 'em, I like to direct 'em, I like to be around 'em. I like the feel of it and it's something I respect. It doesn't make any difference whether it's a crappy film or a good film. Anyone who can make a film, I already love. But I feel sorry if they don't put any thought in it because then they missed the boat.
I think people are really picky about English accents. When a Brit comes over here and kind of does an OK American accent, everyone's like, 'You were great! Fantastic!' But in England, even if you were doing a pretty good accent, they're like, 'But where are you from?' 'London.' 'What part of London?' Accents are really precious over there.
America has had an influence on me, as has going out with a Cuban-American guy and having lots of American friends. But I am still fundamentally British and speak with a British accent and feel very English.
Even under Poch, he had a different culture to the British. It wasn't that he didn't understand it. You know the British like to have a drink, it was just something that he couldn't get his head around. He wasn't willing to compromise on that, either.
I feel like Valleywag has been different things with different writers over the years. Up and down. I think it's at their best when they get a legitimate scoop, like when someone leaks them documents. I feel like we could do more of that, breaking stories.
I guess the most interesting thing that people think is I'm English. They think that I live in England and have a British accent. When they talk to me, at first they go, "Man, you have a great American accent," and I go, "No, no, no, this is my accent. I don't do accents." And then they're really disappointed, and they try to punch me.
I don't see myself as a pop artist. Like, when you hear 'pop,' you're like, 'Oh, bubblegum, jumpy little girly stuff,' and I feel like, 'Uh-uh. That's not me.'
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