A Quote by Jim Gaffigan

Stand-up comedy in the end, unlike the rest of the entertainment industry, is a meritocracy. There's a certain level of undeniability you can work toward. — © Jim Gaffigan
Stand-up comedy in the end, unlike the rest of the entertainment industry, is a meritocracy. There's a certain level of undeniability you can work toward.
You're on stage and because stand-up comedy is one of the few meritocracies in the entertainment industry, there's some kind of - at least for me, there's some kind of idea of control.
The music industry really is a meritocracy on a creative level.
I don't think my comedy is that political. It's more social. But whatever. When you make comedy and you do stand-up, you work alone. Movies have to go under so much scrutiny. A stand-up special is a vision, and a movie is a consensus in a lot of ways.
I liked horror and comedy, basically, from a young age, but I just ended up getting into comedy because there was - I could do stand-up comedy, and that was my way into this business, and then there was no stand-up horror, and I didn't know how to get into that world.
All of comedy at some level is trial-and-error, whether it's a stand-up trying out jokes or a comedy show trying stories.
It sometimes seemed to him that for love to work, it had to be fair, that he should tell only half the joke, and she the other half. Otherwise, it would not be love, but something completely else–pity or entertainment, or stand-up comedy.
I grew up in a pretty strict household in the sense that we just didn't have cable, so I wasn't familiar with what stand-up comedy was. I remember telling my friends that I thought stand-up comedy was like the thing that happened before the episode of 'Seinfeld.'
The fans of our industry are extremely savvy. At the end of the day, they understand the business is a work. It's entertainment, nothing more.
When you don't get a certain quality of work, you end up doing lesser quality of work because there's no work. I'm a professional actor, I have bills to pay so I end up taking work which ideally I wouldn't have.
My dad's a lighting director. Growing up in Hollywood, I was around the entertainment industry all the time. I knew I'd end up in show business in some capacity, eventually.
I agree with my sister when she said that certain people, whose names have cropped up in the #MeToo movement, should not be allowed to work. That's the stand which the industry should take.
If there's one regret I have of my time in comedy it's that I really I was so obsessed with improv for so many years and I exclusively did improv for the first 6 years or 7 years. I was doing comedy and then I started doing solo work and stand up, a bit of writing, making videos, and really going into it on that end.
The entertainment industry is humungous, and people have so many choices right now - they can watch web series, movies, stand-up comedies, and plays.
I think I'm known mostly for comedy because most of the work I've done is comedy and that is in turn because most of the work that is offered to me is comedy, so I end up doing more comic roles and therefore being known for them.
When I started stand-up - and this is in the '90s - there was definitely people hadn't watched decades of Comedy Central, where people are really much more educated on stand-up comedy.
To be in the music industry, to be in any kind of entertainment industry, you really, really have to be passionate about it and love it and persevere, because if that passion isn't there, it's easy to give up. If you really want it, the ambition is there, it'll come. It's definitely harder work than some people think.
This site uses cookies to ensure you get the best experience. More info...
Got it!