A Quote by Jim Gaffigan

If someone picks up one thing you've written, you want them to go, 'Wow, this is pretty good.' — © Jim Gaffigan
If someone picks up one thing you've written, you want them to go, 'Wow, this is pretty good.'
I want people who see my watches to go, 'Wow!' And the more they look at them, the more they go into it, the more I want them to say, 'Wow!' I work on a razor blade between gimmickry and amazement.
I like girls who want to get up and dance and don't mind singing in front of my family - you know, silly stuff. Some girls won't eat in front of boys or won't go bowling. They just want to go out and look pretty. I don't really get that. I want someone who is up for having a good time.
Good God, you don’t give up.” “Nope.” I laughed, couldn’t help it, and his smile spread in response to the sound. “I’m sure there are plenty of girls who want to go out on a date with you.” “There are.” “Wow. Modest aren’t you?” “Why should I be?” he shot back. “And I want to go out on a date with you. Not them.
If you wagered $5,000 on each of my winning NFL picks in 2012 and $500 ($550) on each of my losing picks, you'd be ahead $70,050. Wow.
One thing I think is true is that is you have someone who's really good in one or a few areas they can pick up something new pretty quickly and that's kind of a hallmark of someone you really want to hire because they can be very useful in a whole bunch of different areas.
When you go into the theatre and the lights dim, you want to entertain people from beginning to end. You want them to be swept up in your story, on the edge of their seats, unable to wait to see what happens next, be blown away and afterwards just go, 'Wow!'
You'll go into a fancy hotel and you'll hear this track where someone has sampled 30 seconds of a really good song. Your ear picks it up and you get excited but then it goes into some monotone thing. The Buddha Bar stuff annoys me. I don't need to be on a beach and hear this stuff through little speakers, but people think it creates a "cool vibe".
We are meant to go through this life with a partner, someone who picks us up when we're down.
I`m kind of like one of those people that picks up small and interesting bits of wood and doesn`t want to let go of them. Or, you know, I`m fascinated with the wrapper on a sardine can. A little cuckoo.
What if someone picks on me?" I asked Then I'll pick on them". What if someone picks my nose?" I asked. The I'll pick your nose, too" Rowdy said.
Half the stuff I've written was written when I was half asleep watching the David Letterman show when some boring actress was on talking about herself. I would just mute the TV, look over to the computer and start plugging in notes. Then the next morning you go "Wow, I like this". I'd almost forget what I did, and then it would inspire me to go on and do the next thing. That's what I do. Just kind of follow my own little thing.
Mark and jay Duplass really like to improvise. Even if we beg them to go back to the script, they invariably ask us to go "off the rails," as they like to call it. It's just the way they work. You get a full written script. And it's really, really, really good, so that's why it's kind of peculiar that they always want you to improvise, because if I wrote something that good, I would want everyone to stick to the dialogue that was written.
There were two recording studios in Bellingham. One was really expensive, a "nice studio." We were at the point where we were young and irreverent. We would scoff at the idea of a nice studio. "Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that's really fancy. Well we've got an eight-track. We've got it going on here." Now that we have the resources, we're like, "Oh wow, a nice studio is pretty nice! They do have nice outboards here. It's actually a pretty good place." It's funny how much changes so quickly.
You go for an audition, and you meet a director, and you find that they don't want you. You have to have a pull with them: that they understand what you want to bring to it. That you don't want to be the pretty little thing.
By the time I got to set for 'Cobra,' I think I'd lost about 28 pounds in about a month and a half. I didn't want to look back and be like, 'Wow, someone should stop eating PB and J's.' Like, if I'm going to look back when I'm 80, I wanted to be like, 'Wow, okay, I looked pretty fit. I used my youth right.'
I need a soul mate so that I can be who I am, naked. I want there to be someone who picks up my heavy, bleeding heart and takes it somewhere safe and warm.
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