A Quote by Jim Gaffigan
I never have free time, I don't know about you. You ever go to the cash machine, there's two people in line in front of you and you get kinda flustered, you're like "Forget it! I'm not standing here for 40 seconds. I got things to do, okay?"
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Folks can't carry around money in their pocket. They've got to go to an ATM machine, and they've got to pay a few dollars to get their own dollars out of the machine. Who ever thought you'd pay cash to get cash? That's where we've gotten to.
The two sports are as different as Ping-Pong and rugby. In boxing, you don’t know what’s going to happen. In wrestling, it’s already prearranged. But the thing I didn’t know about wrestling is that you really get hurt. Because, you know, you’re wrestling in front of a live audience, and you end up doing things like jumps or slams, and 40 percent of the time you don’t land right.
When I get to 40, I'm going to re-evaluate everything and then go from there. Because when I get to 40, I would like to see where I'm at in my career because I might want to go, 'You know what, I'm done. I'm just happy with everything,' and I'm going to go off my merry way, and I'll probably never pick up a golf club ever again.
I've always noticed talking about lyrics is like talking about a duality. It's like a Gemini time every time I talk about one line. Because each line, of course, means different things to different people, millions of interpretations. With me, I always see two sides. I just see things split into two.
Standing in a two-hour line makes people worry that they're not living in a democratic nation. People stand in line for two houres and they go over the edge.
I've fought on 'The Ultimate Fighter' in front of 30-40 people, and I kinda like that. There's no distractions.
One of the reasons I got into fighting was because I'd never really been in a fight. It's like in Fight Club, the famous line, 'How much can you really know about yourself if you've never been in a fight?'... It's the the clearest mirror you'll ever stand in front of.
There was a time when people would go search out underground records. Now, underground means free, and people don't really care for it. So now artists tend to go more pop and look for the radio. You know, the radio never wanted you to speak about anything, so the music is kinda influenced by the hands of the radio which wants to homogenize it and dilute it and sanitize it. And for the most part, nobody's takin' the time to seek out the cats that are still tryin' to talk, so they have a difficult time being heard, like Chuck D said.
I just go into the studio, look at the lyrics for the first time when I put them on the piano, and go. If I haven't got it within 40 minutes, I give up. It's never changed, the thrill has never gone, because I don't know what I'm going to get next.
You don't make stupid internet videos or show people you have too much free time, you just say the right things and they'll be like, "Damn this dude's a real person and I can relate to that." That can make somebody's life, that can make somebody's day, that can be a line that they never forget.
We worked on The Perfect Storm, and I'll never forget, Wolfgang Petersen would talk about a moment. Like a non-speaking moment, where we'd all be sitting around eating dinner, and it would probably last maybe four seconds on screen. But he would sit there and talk about it for about 10 minutes. He knew what piece of the puzzle that scene would be, and if it were six seconds, it would be too long. If it were three seconds, it wouldn't be enough. I'm always turned on with people's enthusiasm like that.
The problem with time, I've learned, whether it's those first two weeks I got to spend with you, or the final two months I got to spend with him, eventually time always runs out. I have no idea where you are out there in the world, John. But I understand that I lost the right to know these things long ago. No matter how many years go by, I know one thing to be as true as ever was - I'll see you soon then.
I like terrifying. Modeling's terrifying to a lot of people too. Standing in front of a camera is terrifying. I like a challenge. Sailing really forces you to be present and in the moment. You kind of forget about the bullshit of life. Your thoughts go away because you're focused on making sure everything's working. I like being in that place.
And you sort of have this idea in your head about how you're going to go about the audition, and as soon as you get there, all of those thoughts just kind of drop away and you realize you're standing in front of Amy Adams, whom you've admired for years and years. That was the first time that I was ever really starstruck in my life.
I don't have anything to say about the guy [Muddy Waters], you know. Treat me all right. But I can this: they are jealous hearted, you know. Are jealous hearted musicians, you know. See, if you can't do like your songs, get kinda jealous of you. Like you, like they think you better than them and all that, but I don't fool with those kind of peoples, you know. I ain't got the time.
Every one and every single time is different, and I didn't have C-sections, which I don't know if that's lucky or unlucky, but I was able to feel every contraction. You forget what it feels like. God's got a great way of making women forget what it's like because we would never go through it again.
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