A Quote by Jim Gaffigan

My goal in life is to be as happy as a studio audience. — © Jim Gaffigan
My goal in life is to be as happy as a studio audience.
I think everybody's goal was to make something that was really broad for a big audience, which was my goal too. But my main goal was that I wanted my audience to love it, because they're the ones who are going to buy it, and they're the ones who are going to tell their friends. And I wanted to make sure that core audience was really happy, because if they all buy it we have a successful movie.
It's the ultimate goal every day you wake up, to be happy. At the end of the week, you want to be happy. Happy in love, happy in work, happy in life, happy with yourself. It's pretty simple.
I don't understand choreographers who say they don't care about the audience or that they would be happy to present their works non-publicly. I think dance is a form of communication and the goal is to dialogue with the audience. If an audience member tells me they cried or that the dance moved them to think about their own journey or a family member's, then the work is successful.
Life is [perceived as] a series of problems: Either you are in one now, you're just coming out of one, or you're getting ready to go into another one. The reason for this is that God is more interested in your character than your comfort. God is more interested in making your life holy than He is in making your life happy. We can be reasonably happy here on earth, but that's not the goal of life. The goal is to grow in character, in Christ likeness.
Success for me is to feel happy - 80 percent of the time. That's been my goal in life. I think that comes from my father. He's a very optimistic, happy person. I'm not quite sure if I'll ever feel this, but I want to know how to be happy. I'm happy when I'm at work. I'm happy when I'm with my family or my dog. But there's always that feeling of, I'm not satisfied. I have that thing in my stomach where I just need to keep striving for things. In my mind, I want the fairy tale.
Our goal is to develop our studio as a global, multifranchise company while remaining an independent studio.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
You're in front of an audience, but you're playing for a camera. There's this huge adrenaline rush, because you know that besides the audience in the studio, there are millions of people watching at home.
The movies I make - the goal isn't a mass audience. They're not expensive films. So the attempt is to reach a much more limited audience - one would say an audience that enjoys films that challenge them emotionally and intellectually.
My thoughts were to become a dentist when I first went to Albany State. I didn't know where I would end up, but I knew I'd be happy, and I knew I would have a nice life. That was always my goal, to have a nice, happy life. That's, to me, being rich.
My main goal in life is to just be happy. I don't compromise my happiness for anything. If I find what makes me happy I'm going to do that. That's really going with the flow of life. As far as like the mainstream stuff, if my destiny takes me there and I end up going that route, then that's fine.
The ultimate goal of all goals is to be happy. If you want to be happy make someone else happy.
The nice thing about building up your own studio is if Hollywood decides to hate faith-based films, it doesn't matter to us. We have an audience and continue to serve that audience.
My life's goal is not to write books; my life's goal is to know God better today. The neat thing about a goal like that is you can achieve it. Faith is constant; it's a relationship.
My main goal in life is to be happy. If I can make other people happy by doing what I love, then I feel like I've done everything in life that I've wanted. I just want to make people feel good and change people's lives with music, and that's it.
I advise treating the studio audience like a nightclub audience because that's the reason you're doing television - to get them to come see you in a nightclub.
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