A Quote by Jim Goad
I tend not to hang with 'the crowd' because I believe that at any given moment in history, the crowd is only standing somewhere because some lone, brave nutjob broke down the walls for them first.
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I love sports, but I don't like live sporting events, because I don't like sitting in the crowd. I like listening to records, but I don't like going to concerts, because I don't like standing in the crowd. I guess I just don't like being in the crowd itself.
I remember Borehamwood, I remember the home crowd, I remember that special moment looking at all of our friends and family in the crowd because I don't think we could believe we were European champions.
It's fun, and a laugh for you... you can boo me and feel happy about yourself because you're part of the crowd that did that. But deep down there were people in that crowd booing me because of my Aboriginality.
For me any moment in front of a crowd is embarrassing, because I can't stand being in front of people. I'm probably one of the worst public speakers. I try to avoid it, but there are times when it's just too rude not to do it. But there really isn't a moment that's not embarrassing for me if I'm going to stand up in front of a crowd.
And it may be that a crowd at a particular moment of history creates the object to justify its gathering, as it did at the first Human Be-In and Monterey Pop and Woodstock. Or it may be that two generations of war and surveillance had left people craving the embodiment of their own unease in the form of a lone, unsteady man on a slide guitar.
'The Villain' gets off on the idea of disgusting the crowd and then telling the crowd to keep the noise down while he does it. The reason it works is because it comes at a point in matches where the anxiety shows.
To me spirituality needs an honest individuality. It does not allow any kind of dependence. It creates a freedom for itself, whatever the cost. It is never in the crowd but alone, because the crowd has never found any truth. The truth has been found only in people's aloneness.
Whether I am performing for an elite crowd or a crowd of 20,000 people - the moment someone asks for 'Agneepath,' and I respond 'Agneepath' chahiye?' the noise in the crowd, shows that this song has become huge.
As a preacher, I'm working with the crowd, watching the crowd, trying to bring them to that high point at a certain time in the evening. I let everything build up to that moment when they're all in ecstasy. The crowd builds up and you have to watch it that you don't stop it. You start off saying you've heard that tonight's going to be a great night; then you begin the whole pitch and keep it rolling.
Even in a given territory what would work in one city in front of one crowd might not work in front of another crowd. Every crowd is different in what they are looking for and what they'll respond to.
Defy the crowd. The crowd isn’t always wise. It can also lead you down a path of silliness, sub-optimal choices, and downright destruction. Enchantment is as necessary for people to diverge from a crowd as it is to get people to join one.
Every time I get in front of an audience, I do the best I can. I really don't look at it like, you know, 'This is gonna be this crowd, or that crowd.' If anything, I think about the demographics only because of what songs will entertain more than others.
I do not believe that any human being is fundamentally happier for being finally lost in a crowd, even if it is called a crowd of comrades.
The crowd may be influenced easily, largely because it is a crowd.
You are always concentrated on the inner thing. The moment one becomes aware of the crowd, performs for the crowd, it is spectacle.
I can't really hear the audience applause when I'm on stage. I'm totally immersed in the piece. But sometimes I get a lot of it and wonder, "Now, why did they applaud here?" If it's a white crowd, they usually applaud because they think it's a pretty movement. If it's a black crowd, it's usually because they identify with the message.
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