A Quote by Jim Goad

In my long, long years toiling around the publishing industry, I've found that women simply don't stick to the writing with the same fervor that men do. — © Jim Goad
In my long, long years toiling around the publishing industry, I've found that women simply don't stick to the writing with the same fervor that men do.
I wrote my first novel-length story when I was 14 but had no idea what to do with it. Brisbane was a long way from the publishing industry then. Nowhere's a long way from the publishing industry now.
Women's tennis has been around for a very long time - we're talking about the 1800s. But women's soccer hasn't had such a long history, so now they're right at the beginning of really trying to make things equal. We need to continue not only to advocate for women but to have men advocating for women.
I've felt pressure to produce long fiction for as long as I've been writing fiction. There's just an incredible bias in the publishing industry toward novels and away from short stories. They're seen as D.O.A. in the marketplace, which seems nuts to me, given that various collections done smashingly and deservedly well in economic terms.
It was long assumed that heart disease manifested the same in men and women. But Dr. Legato found that men may experience the classic symptoms of chest pain that radiates down the left arm. Women often have symptoms including shortness of breath, nausea or vomiting, and back or jaw pain. A gender-neutral approach left many women under-diagnosed and under-treated and as a result many women died needlessly.
There's a long, long history of women suffering abuse, injustice, and not having the same opportunities as men, and I think that's been very detrimental to the human race as a whole.
I think retirement's for old people. I'm still in the business, thank you. I have a young child of nine years old, and I want to live as long as I can to see him grow up. I'm enjoying my life and I want to stick around for as long as I can.
Architecture is particularly difficult for women; there's no reason for it to be. I don't want to blame men or society, but I think it was for a long time, the clients were men, the building industry is all male.
In the US in recent years, around a third of all open management positions have gone to women. My research over the last three years has shown that the trend is going in the same direction at all levels. And by the way, it's not necessarily that the rise of women is causing the end of men - it's more the other way around. An increasing number of men are failing during their education, losing their jobs and then not managing to get back on their feet, so women have had to step in. The driving force here isn't feminist conviction, it's economic necessity.
If you stick around long enough, people start referring to you as a survivor. Suddenly I found myself on the receiving end of several prestigious awards.
I have been around for a long, long time. I didn't make it 'til I was older. I went through the period when women were not getting signed, particularly if you were writing songs that were lyrically propelled.
Someone once shared a statistic with me about how long it takes women to make their second films. On average, it's three years for men and eight years for women.
I started out writing romance novels, and that's a side of publishing that's very female oriented. 99.9% of the writers are women, most of the editors are women, and these are books written for the female gaze. And so my point of view - the way I looked at fandom and publishing and writing - was all about women. So for me that's what was natural, that's what was comfortable. And then I moved over to comics. And all of a sudden it was... Pardon the expression, it was a sausage fest.
I do feel grateful, and I love what I'm doing, and I'm happy, and I'm living in the moment, but I also have my eye on the long game and the big prize, and that is just to make this a life-long career. To make a big enough impact on everybody to stick around for a long time.
I've been in the business 60 years, and it's taken me this long to play a scene with a monkey. That's what happens if you stick around.
If one can stick to the training throughout the many long years, then will power is no longer a problem. It's raining? That doesn't matter. I am tired? That's besides the point. It's simply that I just have to.
I have taught the long poem off and on for years. The more book-length poems I read and studied and taught the more interested I was in the possibilities in writing a poetry that applied formal and substantive options of narrative and non-narrative, lyric and non-lyric. I found many pleasures in this kind of writing. The long poem is as old as the art form.
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