A Quote by Jim Harrison
Writers can write outside their ethnicity or sex depending how open and vulnerable they wish to be.
Related Quotes
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
Our laboratory is a place that celebrates diversity and is totally open to all differences, not just sex but also age, ethnicity, religion and other traditions.
People don't think of writers as sex objects. The women who write to me and suggest that we ought to have sex usually turn out to be, like, eighty. And their letters always end with, "Just joking."
Here's how men think. Sex, work - and those are reversible, depending on age - sex, work, food, sports and lastly, begrudgingly, relationships. And here's how women think. Relationships, relationships, relationships, work, sex, shopping, weight, food.
Vulnerability is the only authentic state. Being vulnerable means being open, for wounding, but also for pleasure. Being open to the wounds of life means also being open to the bounty and beauty. Don't mask or deny your vulnerability: it is your greatest asset. Be vulnerable: quake and shake in your boots with it. The new goodness that is coming to you, in the form of people, situations, and things can only come to you when you are vulnerable, i.e. open.
Writing is not a great profession as a lot of writers proclaim. I write because this is something I can do. Another thing—very often I think a lot of writers write because they have failed to do other things. How many writers can’t drive? A lot. They’re not practical. They are not capable in everyday life.
Black writers, of whatever quality, who step outside the pale of what black writers are supposed to write about, or who black writers are supposed to be, are condemned to silences in black literary circles that are as total and as destructive as any imposed by racism.
Why my interest in writers? Well, I'm one, and many of my friends are writers. I know what it's like to write. I'm interested in the creative process. I'm fascinated by the disparity between who we are on the outside, and what we have bubbling away inside us.
I was part of a writers' collective with 21 writers and filmmakers called the San Francisco Writers' Grotto. We had our own office space in this old converted dog and cat hospital, and we had a basketball hoop outside. I'd bring my dog to work every day and write.
Sex is hard to write about because you lose the universal and succumb to the particular. We all have our different favorites. Good sex is impossible to write about. Lawrence and Updike have given it their all, and the result is still uneasy and unsure. It may be that good sex is something fiction just can't do - like dreams. Most of the sex in my novels is absolutely disastrous. Sex can be funny, but not very sexy.
Ninety-five percent of all writers who write do not get published, but 100 percent of all writers write because they have a voice in their head. The vast majority of writers simply write because they have to.
Writers are troubled about finding time to write and writer's block and publicizing books that aren't books yet. They agonize over how to write and what to write and what not to write.
I advocate for people who believe sex work is work. But women have so many avenues open. In the same way, a trans woman or a hijra should have that many doors open. If later on she chooses sex work, that's fine. But she shouldn't have to choose sex work because all the other doors are closed. Every hijra or trans person is not a sex worker. We need our own respect. And whoever chooses sex work after having all doors open, I really respect that.
How do you write? You write, man, you write, that's how, and you do it the way the old English walnut tree puts forth leaf and fruit every year by the thousands. . . . If you practice an art faithfully, it will make you wise, and most writers can use a little wising up.
To listen is to be vulnerable. You allow something outside your body to come inside. To be open and impressionable, to hear everything, is dangerous. You can be damaged all too easily.
Here in New York, we're media obsessed. Writers write about writers who write about writers and reporters and freelancers, and it's just a festival of information. We're all analyzing and examining and predicting, and I can't imagine that it's like that everywhere else.
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