A Quote by Jim Harrison

I don't think it matters how fast you write. It's how long you thought about it. I like to think of it as a well filling up. I think about it until the well is full, and then I let go.
I think that were I in the middle of an obsession to write about, say, sudden oak death in California or my grandchildren or time and memory and how they look when you get to be in your sixties, and I thought, "Well, yes but people are dying every day in Baghdad," I wouldn't feel guilty about not writing about Baghdad if I didn't have any good ideas about how to write about it.
I think parenting well is not so different than trying to consider how to be successful at any relationship. Like, how do you partner well? How do you collaborate well? How do we have this conversation well? You know, you're always trying to figure out what "well" means, so I think parenting is another version of that.
I think when you write something as standup material, it forces you to think about how you're gonna tell that story in one way, and then, when you get the opportunity to shoot it, you almost have to reframe how you go about it and rethink the entire process.
To spend any time with someone who is among the top five film composers of the last 50 years is pure gold dust. I mean, not necessarily stylistically, because everyone is different in what their music sounds like, but the approach and how to look at a film, how to think about a film, how to decide what you want to do, how to think about characters, how to think about art, how to think about narrative, how to liaise with producers, how to liaise with directors.
Well, I think that when you think about the challenges we face, these are challenges that require us to look forward and not backwards. When it comes to the economy I think we have to recognize that we are now in a global economy. And that the measure of our success is: how well are we training our workers? How well are we investing in the new energy economy?
You're going to figure it out, as you go. I think that's how people feel about having children, as well. You're not going to learn how to do it until you do it.
I have tons of stuff that, you know, seems like it's a well-constructed sentence but it is not how people talk, it's how people write. So that's why I think it's sometimes easier for me to write for actors 'cause I know what's frustrating about, you know, sentences that come out just perfect. Well, who talks like that? And who of us don't overlap each other? Except on the radio, hopefully.
You can’t think about how much you have left to do because that’s just one thought, one sad thought, that’ll make you bummed out all day long. Instead you’ve got to think about how much you’ve already done.
I really think that if there's any one enemy to human creativity, especially creative writing, its self-consciousness. And if you have one eye on the mirror to see how you're doing, you're not doing it as well as you can. Don't think about publishing, don't think about editors, don't think about marketplace.
If you only think about yourself - how much money can I make, what can I buy, how nice is my house, what kind of fancy car do I have? - over the long term, I think, you get bored. I think your life becomes diminished. The way to live a full life is to think: What can I do for others?
The script is like music to me. I approach it like it's a musical piece and I hear how it's supposed to sound when people say the words. There's rhythms and there's intonations and things, and so, when somebody comes in and hits the notes that I hear, I go okay. Or, they come close enough, and then I'll say "Well how about you try it like this?" and if they have a good ear and they can pick it up, then I think okay, they've got it.
We became Homo sapiens not that long ago, from the scientific perspective, and we've retained a lot of our beast nature. We've done all these amazing things in terms of our knowledge base and technology, and now we're flying around and using the internet. But we're still very animalistic. So, I think about hierarchies. I think about evolution. I think about how we stack up, how we sit on top of each other. How we pray that we know what we're up to.
Like all actors, after every job, I think, 'Well, that's the last one, and I'd better think about doing something else.' But I've been so very lucky, and I've managed to keep going for a long time. It's just the way the cookie crumbles, and it's crumbled pretty well for me. I appreciate it, and I realise how lucky I am.
In my stand up, I think I try to be less energetic because I feel embarrassed about how much enthusiasm I have. There's something about acting like I don't care, or if I act like I haven't spent enough time on it, it seems to go better. If I act like I'm really trying to sell it, it doesn't go as well.
Life can be less mysterious than we make it out to be when we try to think about how it would be on other planets. And if we remove the mystery of life, then I think it is a little bit easier for us to think about how we live, and how perhaps we're not as special as we always think we are.
My fiction-writing DNA shows in how I think about prose, how I think about the page, how I think nonfiction stories should work. And every piece of nonfiction I write, I want it to have fictional texture.
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