A Quote by Jim Henson
But with The Dark Crystal, instead of puppetry we're trying to go toward a sense of realism - toward a reality of creatures that are actually alive and we're mixing up puppetry and all kinds of other techniques.
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I directed the play 'Amadeus' with puppets way back in the day for theater. I also studied puppetry at the Eugene and Neil Center with a lot of the 'Sesame Street' people, so I do have a little bit of a history with puppetry.
I was already sort of mixing my science physics enthusiasm with entertainment and directing and puppetry.
A poem, as a manifestation of language and thus essentially dialogue, can be a message in a bottle, sent out in the –not always greatly hopeful-belief that somewhere and sometime it could wash up on land, on heartland perhaps. Poems in this sense too are under way: they are making toward something. Toward what? Toward something standing open, occupiable, perhaps toward an addressable Thou, toward an addressable reality.
On the journey of the warrior-bodhisattva, the path goes down, not up, as if the mountain pointed toward the earth instead of the sky. Instead of transcending the suffering of all creatures, we move toward turbulence and doubt however we can. We explore the reality and unpredictability of insecurity and pain, and we try not to push it away. If it takes years, if it takes lifetimes, we let it be as it is. At our own pace, without speed or aggression, we move down and down and down. With us move millions of others, companions in awakening from fear.
As you begin to feel this enormous shift of consciousness, called multisensory perception, emerging in your awareness, you begin to reorient yourself. It's a reorientation that occurs toward yourself as more than a mind and a body; it's a reorientation that occurs toward others; toward your life as meaningful, rather than predetermined. It's a reorientation that occurs toward the universe as alive, wise and compassionate, instead of inert (which means dead) and random.
All other creatures look down toward the earth, but man was given a face so that might turn his eyes toward the stars and his gaze upon the sky.
I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I think it was my first time realizing that there was something besides popcorn movies.
It is now very clear that techniques of machine-human interfacing, pharmacology of the synthetic variety, all kinds of manipulative techniques, all kinds of data storage, imaging and retrieval techniques - all of this is coalescing toward the potential of a truly demonic or angelic kind of self-imaging of our culture... And the people who are on the demonic side are fully aware of this and hurrying full-tilt forward with their plans to capture everyone as a 100% believing consumer inside some kind of a beige furnished fascism that won't even raise a ripple.
When we pray, instead of trying to produce love in our souls toward God, we should be basking in God's love for us. How foolish to stay indoors in the cold, dark little room off the self, trying to turn on the light and turn up the heat, when we can just go outside into God's glorious Sonlight and receive his rays! How silly to fuss with artificial tanning salons and lotions and lights when the Son is out!
The joy of puppetry is that it is very simple and low-fi, which I love.
I see how loving my parents are toward each other, toward my family and toward me. And that's just a glimpse of Jesus' love for us.
The last, best fruit which comes to late perfection, even in the kindliest soul, is tenderness toward the hard, forbearance toward the unforbearing, warmth of heart toward the cold, philanthropy toward the misanthropic.
And with puppets, especially in our company, we sort of demand a very high standard of puppetry, so it's a real technical skill.
Honestly, puppets themselves are actors effectively. The joy of puppetry is that it is very simple and low-fi, which I love.
I think that's why I gravitated toward slightly broader... ummm, more conceptual kinds of movies, Underworld and Van Helsing. That was as much as I could actually give. But you're actually more of an animated figure. It does go against the grain, as an actor.
All that is alive tends toward color, individuality, specificity, effectiveness and opacity. All that is done with life inclines toward knowledge, abstraction, generality transfiguration and transparency.
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