A Quote by Jim Hodges

I was trying to write an autobiography using prints and patterns that reference emotional, psychological, and personal development in my work, as a person growing up, figuring out who I was. I used fabrics to stand in for occurrences.
My collections are a reflection of my personal style and interests. All the textiles, fabrics and patterns are of my personal choice.
At least I want to be making films that are somehow born out of me that are stories I want to tell. The challenge is figuring out how to do it where you can make them personal, yet still deliver to an audience a film experience that is satisfying and emotional, and that's what I'm trying to do.
I wasn't trying to work out my own ancestry. I was trying to get people to feel slavery. I was trying to get across the kind of emotional and psychological stones that slavery threw at people.
I used to love to write. As a child I used to write all the time. I loved to write up until the second I got my first professional writing job. It turns out it's not that I hate to write. I hate, simply, to work.
I think there are three kinds of songs; it's only my theory: psychological, emotional, and spiritual. When you write psychologically or intellectually, you have a tune in your mind, and you re-write it. It's an intellectual approach. The emotional is my favorite because it comes from my kishkas; it comes from my soul.
Growing up in Beirut, I used to go to the souks with my mother to buy fabrics... I understood fashion at an early age, and my first designs were when I was five.
I'm an incredibly emotional person, but I always feel bad about that. The work is therapy... I need to emote wildly while I write. I weep. I'll laugh, get excited, and get up and pace. I try to take the emotional journey with the characters.
I'm super happy to say that it's not that hard to write bad stand-up. I guess the trick is to write bad stand-up that sounds like you're trying to be good.
We make the patterns on the computer, but we also paint them by hand - it's a combination of digital and screen-prints. I'm trying to do as much as I can myself in the studio.
Growing up in postwar Japan has made me the person I am, but it is not why I do the work I do. It is a very personal thing - everything comes from inside.
I'm from Minnesota! I used to work Knuckleheads at the Mall of America as a stand-up. I spent New Year's there once. I'm not trying to namedrop.
In the lifetime of one person, we went from figuring out where we came from to figuring out how to get rid of ourselves.
I've been doing stand-up longer than I've been doing anything. It's just learning how to act on camera, trying to get better at that, figuring out how to make my humor translate and bounce off other people. It's not a big challenge, but the main thing is just trying to be on point and be the best I can be on these shows.
It is not easy to fight elections with a development motto and I am glad people of Gujarat rose above personal and emotional tangles and prioritized development over everything else.
When you first start off, I know singers who have only been in the business just a short amount of time, and they've already written their autobiography. I didn't want to write it too soon. I wanted to live a while and write about things that I felt were important to me - growing up in Wales, and the characters that I met and listened to.
You can be chased home or hit or called names or spit on, and it's over. You have the memory of it, but it's very different from the emotional and psychological experience of feeling invisible, of not learning the confidence to stand up in class and speak.
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