A Quote by Jim Hodges
It's as if I were collaborating with myself, revealing my relationship to the material. My hand would make the drawing. Then my mouth would transmit it.
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I wanted to swallow myself by opening my mouth very wide and turning it over my head so that it would take in my whole body, and then the Universe, until all that would remain of me would be a ball of eaten thing which little by little would be annihilated: that is how I see the end of the world.
I would go with my husband to the tailors where he gets his shirts made, and I would watch the bespoke process. I would ask them, "Would you be able to make that for me?" And they would always say, "Well, yes, but no." They were very French about it. I decided I would just do it for myself. And I started doing that. Then other people would notice, and want it. So I started doing things for friends, little pieces, and my own line grew that way.
My prediction is that in the same way that Google is an intent revealing service that can be monetized that way, I would think that if I were at Twitter, I would focus on the search aspect of Twitter, because people are revealing intents when they do a search.
I would give up the unessential; I would give up my money, I would give up my life for my children; but I wouldnt give myself. I can't make it more clear; it's only something I am beginning to comprehend, which is revealing itself to me.
The music is something outside myself that's also inside myself... Music and a sense of another presence always went hand in hand. Even when I was three, I would improvise music, and my maternal grandfather would act as an audience and used to applaud. I would imitate things like thunder and rain.
Try as much as you can to mention death. For if you were having hard times in your life, then it would give you more hope and would ease things for you. And if you were having abundant affluence of living in luxury, then it would make it less luxurious.
I remember kids used to give me a penny for drawing them a horse. I loved horses, but I couldn't have one, so I would draw a horse for myself. I would make it food and a blanket for it to wear and a place to live.
I think educating myself has been huge. I feel like the way it's presented in the media is that if you got to Brazil you're flipping a coin on your health. I don't think it has to be that way. If I were wanting to have a baby right after the Olympics I would take precautions, and then when the Olympics were over I would get tested to make sure I didn't have the virus in me, and then I'd go for it.
I would draw my own comic book characters listening to metal. The drawing and music kind of went hand in hand.
Does it make you brave to stick your hand in a bear's mouth? Would you do it again just because you didn't die?
I would push myself so much that in the end I would collapse and I would have to be admitted to hospital, I would pray to God to save me, promise that I would be more careful in future. And then I would do it all over again.
My friends started having children after college, while I was pursuing this crazy acting career and living hand to mouth. Plus, all my boyfriends were artists struggling to make a living. Having kids didn't make any sense - why would I take on more of a financial burden when I couldn't even afford a dog?
Any kind of writing that's meaningful becomes hard work, so there were times when it would really flow, there were times when I'd get 10 pages a day, and then there were days when I would do three pages. Depends on the thickness of the material. If it's satisfying, it's hard, but it's pretty wonderful.
There was a concept a long time ago that you would do a different type of reactor called a "fast reactor," that would make a bunch of another element called plutonium, and then you would pull that out, and then you would burn that. That's called "breeding" in a fast reactor. That is bad because plutonium is nuclear weapons material. It's messy. The processing you have to get through is not only environmentally difficultly, it's extremely expensive.
If the elbow had been placed closer to the hand, the forearm would have been too short to bring the glass to the mouth; and if it had been closer to the shoulder, the forearm would have been so long that it would have carried the glass beyond the mouth.
Your spikes, which were really quite long then, would catch the material of the track and your shoe would get heavier. I was simply filing them down and rubbing some graphite on the spikes. I thought I would run more effectively.
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