A Quote by Jim James
I love the thrill of putting on a record and feeling like you got the wrong one from the factory.
Related Quotes
I tried to bring in the live orchestra like Bjork does. I love the feeling that that music gives me when I just listen to it. I mean it would be awesome to do an entire record like that. But unfortunately that's not my style. So rather than do a record like that I just got inspired by it.
I almost shouldn't be in Limp Bizkit; it's like I got matched in the factory with the wrong band.
I almost shouldnt be in Limp Bizkit, its like I got matched in the factory with the wrong band.
Don't get me wrong: there are aspects of buying music online that I love. Instantly being able to hear a song the moment it crosses your mind? Where's the downside? However, I do feel for those too young to remember the thrill of going record shopping.
I've always got the thrill of just putting on that uniform and going out there and playing.
I love seeing people react to my music. Its like a drug, one of the strongest drugs ever in my opinion. Not that I'?m doing drugs.. I just love that feeling. Putting out a feeling and having it really be the one is more addicting than anything in my life now.
My view is that "A Small Oak Tree Runs Red" is about putting people 'on the record,' who otherwise would have been forgotten, as a result of their bravery and love for one another. These characters demand justice, and they got punished for it. If we can correct that record in our artistic expression, in a poetic form such as this play, then that is our entire purpose and greatest benefit.
If you're also in the arena and you're putting your ideas out and you're owning them and you're saying "I disagree with you about this and that, I think you've got this wrong" - then not only do I invite that, I freaking love that. I love that. I'm an academic. I'm hardwired for a good debate.
They [ Factory Records] are always looking for the next group, the next big thing, to bring the record sales in and for them to promote and everything, but Factory just sign who they want to, put records by who they want to out, package it how they want to, how they like doing it. It's just run like that.
'Victorious' for me was a chance to write a song exactly how I was feeling - I was feeling triumphant, I was feeling like I could do anything as long as I've got the people that I love by my side. We're gonna go out and conquer it, and party, and just be awesome.
I got no thrill from solving an integral equation, but I did get a thrill from building an exotic piece of equipment that worked.
The fact of the matter is, if you're not putting out stuff that people are feeling, then your record label doesn't mean a goddamn thing.
We recorded that trio and it's out on the Knitting Factory label. I've got another record in the can with that group and Marc, which I'll hopefully finish some time before next summer.
I think it would be wrong to consider 'Ashes and Fire' a love album. The record is obsessed with time. I believe that there is a kinder view of the self on this record.
Almost 70 years have gone by, and I've still got that feeling when I write... Writing, for me, is still it. It has always been the basis of everything I do. I'm a writer who performs, not a performer who writes. I love the act of writing. It's still a thrill for me.
The factory of love encompasses all, but on some days, does it seem to be one of suffocation, squeezing its target too tightly? And on other days not tight enough? Or maybe that is the breath of a living love knowing when to protect, when to release, and when to protect again. For we are the products of an active love - the Father the creator, the Son the perfecter, the Spirit the supervisor - but just like in a factory, to deny the process is to ultimately create a defect of oneself.
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