A Quote by Jim Jefferies
With acting, it [auditioning] is very frustrating. I'm not very good at auditions. Sometimes I audition for a role and I'm like, I'd be really funny in that role, but I'm not good at auditions so I guess I'm not getting that role. It's a very frustrating job.
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I was auditioned for 'Sultan' for the lead role in 2015. My auditions were very detailed as it was for the female lead. They took around 10-11 auditions for it in the span of 2 weeks. It was very hectic and tiring for me.
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I take my role as an ambassador for the sport, and as a role model for boys, girls, mommies, daddies - whoever it is - very, very seriously. I know the impact my role models have had in my life, and I'm in a really beautiful position to be able to be that for others.
I recently finished a job, an HBO movie 'Getting On,' a very dark comedy. It comes from a British series of the same name. In this role I have no hair, no make up and no nails. I play a very small role; she is not over the top and sassy.
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I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
In auditions, you're not up against anyone else; you're both going in for the role, and it's like, whoever's right for it will get it. It's simple. It's not like, 'Oh I won!' There's never that element. It is very supportive.
Just as the good actor perform well whatever role the poet assigns, so too must the good man perform whatever Fortune assigns. For she, says Bion, just like a poet, sometimes assigns the leading role, sometimes that of the supporting role; sometimes that of a king, sometimes that of a beggar. Do not, therefore, being a supporting actor, desire the role of the lead.
Ballet has really helped me in every acting role. You have to be very disciplined, you have to be able to control your nerves and perform under pressure, and all those things you have to use in acting when you're on film or going for an audition.
I never really thought about being a role model. I started really young, so at 10 years old, I was still very much the person who needed role models. I wasn't really prepared to be one, but it's always something that I've taken very seriously.
I audition for almost every role. I get into auditions even when I am just producing a film. Not that someone would fire me, but I keep trying various tests and keep working till I learn the job.
You start at a young age, going on auditions, and you think you did a good job and expect to get that role, and you don't, and it's a letdown, a disappointment. So you tell yourself to just do the work and disconnect, because you have no control over the outcome.
And then there is the universal role of adult. When you play that role, you take yourself and life very seriously. Spontaneity, lightheartedness, and joy are not part of that role.
[The Man] was a case where it was a funny role teamed up with another actor. It's a great teaming. And the role was a bigger role. It wasn't so much that it was a co-starring role. This is not a new direction. I'm not saying, 'No. I'm only now co-starring.' It just happens it's a co-starring role.
I play a tough cop in 'Very Good' and the role is quite similar to Dhaya Nayak, Mumbai's popular encounter specialist. I have made all efforts to fit the role.
I feel much better being in a heel role. I'm not very good at coming out smiling and acting like a good girl. It's harder to get fans to like you when you're trying to be nice.
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