Island Records was the first record label to... acknowledge me. After that, quickly, Republic Records, and then Atlantic Records, Sony Records and Warner Bros. It was all the labels at once. It was absolutely insane, like, knowing that this many record labels were interested in me.
I don't linger on the fact that Dawn Fraser was a great swimmer 40 years ago. That was in the past. I did break 41 world records, but I don't live on that today.
And its very strange, but I think there is something very common - not only in Celtic music - but there is a factor or element in Celtic music that is similar in music that we find in Japan, the United States, Europe, and even China and other Asian countries.
And it's very strange, but I think there is something very common - not only in Celtic music - but there is a factor or element in Celtic music that is similar in music that we find in Japan, the United States, Europe, and even China and other Asian countries.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
It ain't this big I, little You. Music is to be shared. Music is not a hustle. [Hip hop's become] cultural stripmining [by the major labels]. Some people get into this music to make a killing but music is a way to make a living.
We must play music quietly, talk quietly, weep in private, because I am the all-powerful Zahir, who lays down the rules and determines the distance between railway tracks, the meaning of success, the best way to love, the importance of rewards.
I've had a very different career than a lot of other musicians. I went through the major labels. I was signed to two major labels and bands. I've toured with Aerosmith, and I've had records on the charts, songs in the movies. If you had checklist of things a person wants to accomplish in music...I've done a lot. And I don't mean that in an egotistical way; I never take it for granted. But you can't think outside the box unless you know what's in the box.
There are records that you just sink into. They coincide with what you’re going through and become an ally. If our records do that for people, that’s the greatest compliment I could ever receive. That’s one of the reasons making music is so important to me, because there’s a very strange emotional reach. For me—more than books or movies or other things—music is like a mainline to your heart.
You have to get past the idea that music has to be one thing. To be alive in America is to hear all kinds of music constantly: radio, records, churches, cats on the street, everywhere music. And with records, the whole history of music is open to everyone who wants to hear it.
As a DJ, it's my job to break new music. And instead of it just being the stuff that's coming from the major labels or the big pop records, I've always gravitated to something that's just different, you know?
More labels should be like that. Instead of putting these records out myself, I should have just signed with them, but they probably don't like my music (laughs).
Not only my favorite producers, but those are actually brothers, they're part of our We The Best family. To me, they're the biggest guys out, and the music they produce and the records they put out are phenomenal records.
Labels need to work with artists to help them achieve their best work, not to jam records out that are half-baked or three-quarters baked.
A lot of labels always feel the need to tell you how they think the music should be marketed and what songs work best where. I say make music you love doing, come up with a strategy, and put it out there.
I've only had a sit-down encounter with Robert once, and that one conversation was the best advice that I have gotten from any individual in the music industry. R Kelly told me that as long as I write life and not music I will always have a job. He listened to several of my records and told me that they were great records and for that to come from a man who has produced hit after hit gave me a comfort and reassurance that making honest and good music was not in vain.